In the world of Heldon, there is a wide range of topics, discussions and opinions that revolve around their relevance and impact on society. For a long time, Heldon has been the object of interest and debate, generating endless research, analysis and reflections both in the academic field and in the general public. Its influence extends to diverse fields, from politics and economics to culture and technology, each bringing a unique perspective on the meaning and importance of Heldon in our daily lives. In this article, we will explore different facets of Heldon and its impact on contemporary society, with the aim of offering a panoramic view of its complexity and its impact on our lives.
Heldon | |
|---|---|
| Origin | France |
| Genres | |
| Years active | 1974–1978, 2001 |
| Labels |
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| Past members | Richard Pinhas Patrick Gauthier François Auger Didier Batard Georges Grunblatt Philibert Rossi Jannick Top Michel Ettori |
Heldon was a French electronic rock band originally active between 1974 and 1978, and led by guitarist Richard Pinhas.[4] Other members included synthesizer player Patrick Gauthier and drummer François Auger.[5] The name of the band was taken from the 1972 novel The Iron Dream by Norman Spinrad.[6]
Influenced by the work of Robert Fripp (and sometimes evoking his work with Brian Eno), the music of Heldon blended electronic and rock forms.[4] The first releases under the name Schizo, and later Heldon, were self-produced and self-distributed.[7] Jim Dorsch from AllMusic would later describe Heldon's seven albums as "groundbreaking."[4]
Pinhas had previously led the band Schizo and also released six albums under his own name.[7] Pinhas has worked with numerous collaborators, including musicians of the band Magma, and music journalist and multi-instrumentalist Hervé Picart.[8] He was also associated with philosophers such as Gilles Deleuze (of whom he was a student).[9] and Jean-François Lyotard,[2] as well as writers such as Norman Spinrad and the essayist and novelist Maurice Dantec.[7] Pinhas completed his PhD in Philosophy from the Paris-Sorbonne University in 1974, teaching for one year and beginning Heldon.[2]
The Pinhas/Heldon catalog was reissued on CD by the label Cuneiform, and later Bureau B.[4]
The majority of recordings of Richard Pinhas and Heldon were first pressed on CD by French label Spalax and American label Cuneiform Records, featuring numerous bonus tracks. Several titles have also been subsequently reissued by Bureau B.