Hercules Fighting the Nemean Lion (Zurbarán)
Today, Hercules Fighting the Nemean Lion (Zurbarán) is a topic that interests a wide spectrum of people. From scholars of the subject to the general public, Hercules Fighting the Nemean Lion (Zurbarán) has captured attention and has become an object of debate and reflection. With a significant impact in different areas, Hercules Fighting the Nemean Lion (Zurbarán) has generated a wide range of opinions and has sparked interest in exploring its various facets. In this article, we will explore Hercules Fighting the Nemean Lion (Zurbarán) and its implications in depth, with the aim of shedding light on this topic that is so relevant today.
| Hercules Fighting the Nemean Lion | |
|---|---|
| Spanish: Hércules lucha con el león de Nemea | |
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| Artist | Francisco de Zurbarán |
| Completion date | 1634 |
| Dimensions | 151 × 166 cm |
| Location | Museo del Prado |
Hercules Fighting the Nemean Lion is a work of 1634 by the Spanish painter Francisco de Zurbarán. It is conserved in the Museo del Prado.
Description
The painting depicts Heracles fighting the Nemean Lion. The Spanish art critic Soria suggests a comparison with a woodcut fashioned by Cornelis Cort after a work by Frans Floris, based on the hero's position. The rocky setting was designed according to a woodcut by Barthel Beham: Fighting versus Centaur (1542).
It is one of series of 10 artworks on the Labours of Hercules commissioned by Philip IV of Spain for the decoration of the Hall of Realms in the Buen Retiro Palace. The series is now on display at the Museo del Prado.
Bibliography
- Juan Antonio Gaya Nuño and Tiziana Frati, La obra Pictórica de Zurbarán, Editorial Planeta, Barcelona, 1988, ISBN 84-320-2866-5 pp. 131–132.
