Hikime kagibana

In today's article, we are going to delve into the exciting world of Hikime kagibana. Whether we are talking about a historical figure, a current topic or a relevant event, Hikime kagibana has captured our attention and deserves to be explored in detail. Throughout this article, we will analyze its impact, its implications and its relevance in the current context. With a clear and objective approach, we will seek to shed light on Hikime kagibana and offer an enriching vision that allows us to better understand its importance in our society. Get ready to embark on a fascinating journey of discovery!

Hikime kagibana (引目鉤鼻) describes a feature of illustration continuing in the repertoire of Japanese Art from the Heian period through the Kamakura period, most notably in yamato-e e-maki. Its influence can be traced right up the Edo-period ukiyo-e or later.

Scene from The Tale of Genji by Tosa Mitsuoki, from the 17th century Tosa school revival of the yamato-e

Works done in the hikime kagibana style show faces with essentially identical features.: slit eyes and hook nose. The Hikime Kagibana style also does not allow a full front view of a face. There are only two main viewpoints used to depict faces: an oblique angle of 30 degrees from the front and a right angle giving a profile. When faces are shown from a right angle, the eyebrows and corners of the eyes are visible but the nose is not – something that is not possible in actuality.

References

  1. ^ Okudaira, Hideo (1973). Narrative picture scrolls. Arts of Japan 5. Weatherhill.