Hitsuzendō
In today's world, Hitsuzendō is a topic that has gained great relevance and has captured the attention of different sectors. From academia to the business world, Hitsuzendō has become a topic of constant discussion and growing interest. Over time, Hitsuzendō has proven to have a significant impact on society, generating debates and reflections that transcend borders and cultures. In this article, we will explore the phenomenon of Hitsuzendō in depth, analyzing its implications and influence on today's world.
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Hitsuzendō (筆禅道, "way of Zen through brush") is believed by Zen Buddhists to be a method of achieving samādhi (Japanese: 三昧 sanmai), which is a unification with the highest reality.[clarification needed] Hitsuzendo refers specifically to a school of Japanese Zen calligraphy to which the rating system of modern calligraphy (well-proportioned and pleasing to the eye) is foreign. Instead, the calligraphy of Hitsuzendo must breathe with the vitality of eternal experience.[clarification needed]
Origins
Yokoyama Tenkei (1885–1966), inspired by the teachings of Yamaoka Tesshu (1836–1888), founded the Hitsuzendo line of thought as a "practice to uncover one's original self through the brush." This was then further developed by Omori Sogen Roshi as a way of Zen practice. Hitsuzendo is practised standing, using a large brush and ink, usually on newspaper roll. In this way, the whole body is used to guide the brush, in contrast to writing at a table.
History
Calligraphy was brought to Japan from China and Chinese masters such as Wang Xizhi 王羲之 (Jp: Ou Gishi; 303-361) have had a profound influence, especially on the karayō style which is still practiced today. The indigenous Japanese wayō tradition (和様書道, wayō-shodō) only appeared towards the end of the Heian era. However, the calligraphy of Zen scholars was often more concerned with spiritual qualities and individual expression and shunned technicalities which led to unique and distinctly personal styles. Japanese calligraphy has three basic styles: Kaisho 楷書, Gyōsho 行書, and Sōsho 草書, adopted from China.
Philosophical background
True creativity is not the product of consciousness but rather the "phenomenon of life itself."[citation needed] True creation must arise from mu-shin 無心, the state of "no-mind," in which thought, emotions, and expectations do not matter. [citation needed] Truly skillful Zen calligraphy is not the product of intense "practice;" rather, it is best achieved as the product of the "no-mind" state, a high level of spirituality[citation needed], and a heart free of disturbances.
To write Zen calligraphic characters that convey truly deep meaning, one must focus intensely and become one with the meaning of the characters they create.[citation needed] In order to do this, one must free one's mind and heart of disturbances and focus only on the meaning of the character. Becoming one with what you create, essentially, is the philosophy behind Zen Calligraphy and other Japanese arts.
See also
References
- ^ Nakata, Yujiro. The Art of Japanese Calligraphy, Weatherhill/Heibonsha, New York/Tojyo, 1973. ISBN 0-8348-1013-1
- ^ Kunii, Takezaki; Godin, Bob (2013-01-29). An Introduction to Japanese Kanji Calligraphy. Tuttle Publishing. p. 8. ISBN 9781462905928.
- Terayama, Tanchu. Zen Brushwork - Focusing The Mind With Calligraphy And Painting ISBN 4-7700-2944-6