In this article we are going to talk about House dance and its impact on our society. House dance is a topic that has gained great relevance in recent years, awakening the interest of both experts and the general public. Its influence covers different aspects of our daily lives, from the economy to culture, including politics and technology. House dance is a topic that does not leave anyone indifferent and that continues to generate debate and reflection in all areas. In this article we will explore the various facets of House dance and analyze its importance in our current society.
House dance is a freestyle street dance and social dance that has roots in the underground house music scene of Chicago and New York. It is typically danced to loud and bass-heavy electronic dance music provided by DJs in nightclubs or at raves.
The main elements of House dance include "jacking", "footwork", and "lofting". The element of "jacking", or the "jack", – an ecstatic, sex-driven rippling movement of the torso – is the most famous dance move associated with early house music. It has found its way onto numerous record titles like the Jack Trax EP by Chip E. (1985), "Jack'n the House" (1985) by Farley "Jackmaster" Funk (1985), "Jack Your Body" by Steve "Silk" Hurley (1986), or "Jack to the Sound of the Underground" by Fast Eddie (1988).
Jacking style involves the whole body in energetic, often ecstatic movements, going beyond traditional dance movements. Reynolds links 'jacking' to both the 'jerk' movement and a collective, intense dance style, resembling a robot in a charged dance. In house music's more sexually charged tracks, 'jacking' often happens during climactic energy peaks, where the beat becomes a continuous, sexually charged motif, driving the audience to heightened excitement. This results in a collective, almost impersonal experience, where dancers become part of a unified group, often showcasing extravagant identity transformations. House dance movements carry spiritual and political meanings, creating a sense of unity and connection through the genre's energy.
House dance is often improvised and emphasizes fast and complex foot-oriented steps combined with fluid movements in the torso, as well as floor work. There is an emphasis on the subtle rhythms and riffs of the music, and the footwork follows them closely.[citation needed]
In the early progressions of the dance, there were hundreds of phenomenal dancers that were key in its progression in this social dance scene. However, out of the many there were few instrumental in the introduction of house dance culture across the globe. Some of these dancers are Ejoe Wilson, Brian "Footwork" Green, Tony McGregor, Marjory Smarth, Caleaf Sellers, "Brooklyn" Terry Wright, Kim D. Holmes, Shannon Mabra, Tony "Sekou" Williams, Shannon Selby (aka Shan S), Voodoo Ray, and others.
In Los Angeles, as seen in the local television series, "Pump It Up" hosted by Dee Barnes, the "underground" house dance episode, co-hosted by Stefan of L.A. Posse, recognizes some of the following to be instrumental to the house dance culture in LA: The Scheme Team, Club House, L.A. Posse, Just As Hard, The Groovers, and the Soul Brothers. [citation needed]