In this article, we will explore the fascinating world of Hungarian Quartet, covering everything from its historical origin to its relevance today. _Var1 represents a topic that has captured the attention of numerous scholars and experts in the field, awakening growing interest in various areas of knowledge. Over the next few lines, we will examine the multiple facets and dimensions of Hungarian Quartet, analyzing its impact on society and its influence in different contexts. We will delve into its deep meaning, discussing its implications and repercussions on the current panorama. Through this detailed exploration, we aim to shed light on Hungarian Quartet and delve into its essence, offering the reader an enriching and enlightening perspective on this exciting topic.
The Hungarian String Quartet was a musical ensemble of world renown, particularly famous for its performances of quartets by Beethoven and Bartók. The quartet was founded in Budapest in 1935 (as the New Hungarian Quartet)[clarification needed] and was disbanded in 1972.
Period | 1st violin | 2nd violin | Viola | Violoncello |
---|---|---|---|---|
1935–1937 | Sándor Végh | Péter Szervánszky | Dénes Koromzay | Pál Hermann |
1937–1940 | Zoltán Székely | Sándor Végh | ||
1940–1956 | Alexandre Moszkowsky | Vilmos Palotai | ||
1956–1959 | Gábor Magyar | |||
1959–1972 | Mihály Kuttner |
The Quartet was originally brought together when two students of Jenő Hubay – Sándor Végh on violin and Dénes Koromzay on viola – as well as violinist Zoltán Székely and violoncellist Pál Hermann, were recruited in 1937. At that point Sándor Végh moved to the second violin desk, and in 1940 he left to found the Végh Quartet. He was then replaced by the Russian Alexandre Moszkowsky. The Quartet had made its debut in 1935, and met with swift success. Szekely was a friend of Béla Bartók's, and the group became rapidly known by giving the Hungarian première performance of the Bartok 5th Quartet, which it studied with the composer. By 1938, the group had been heard in every major city of Western Europe.
During the war they were trapped in the Netherlands, and devoted the period to the intensive study of the Beethoven quartets, which were subsequently launched upon the world in the brilliant career which the group achieved after 1945. In 1950 they settled in the USA. In around 1956 the cello, and around 1960 the second violin desk, was reassigned, and in this new form the Quartet continued to maintain its busy programme of performance until 1972, while also undertaking teaching positions and the coaching of younger instrumentalists. In 1957, the newly configured Quartet performed in Boston for the Peabody Mason Concert series. In 1958 the quartet completed a Southern Africa tour, much appreciated by the local audience
In the 1966 issue recordings of the Beethoven cycle, it is stated that Székely plays the 'Michelangelo' Stradivarius (1718), Kuttner plays the 'Santa Theresa' Petrus Guarnerius (1704), Koromzay plays a 1766 instrument by M. Decanet, and Magyar has a cello by Alessandro Gagliano of 1706.
(Examples)
There are two complete cycles of the Beethoven quartets, both recorded in Paris: