In this article we will delve into the fascinating world of Il diluvio universale, a topic that has sparked interest and debate over the years. From its origins to its impact on today's society, we will explore all the relevant and controversial aspects surrounding Il diluvio universale. Through a detailed analysis, we will examine the different perspectives and interpretations that exist about Il diluvio universale, delving into its implications and consequences. Likewise, we will delve into the most recent research and advances that have been made in relation to Il diluvio universale, providing an updated and complete vision of this exciting topic.
Il diluvio universale | |
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Opera by Gaetano Donizetti | |
Librettist | Domenico Gilardoni |
Language | Italian |
Based on | Lord Byron's Heaven and Earth |
Premiere | 6 March 1830 Teatro San Carlo, Naples |
Il diluvio universale (The great flood) is an azione tragico-sacra, or opera, by Gaetano Donizetti. The Italian libretto was written by Domenico Gilardoni after Lord Byron's Heaven and Earth and Francesco Ringhieri's tragedy Il diluvio (1788).
19th century
The opera premiered at the Teatro San Carlo, Naples on 6 March It failed to become an instant success.
It is known that for the premiere production to be accepted, it had to be given to the church censors in the form of an oratorio, since its planned production date was within the period of fasting. It was only allowed due to its being a biblical story.
Donizetti revised the opera and a new production opened on 17 January 1834 at Genoa's Teatro Carlo Felice. But after another staging in 1837 in Paris, it disappeared for 147 years.
20th century and beyond
The opera was not presented again until 1985 in Genoa.
The first production in Switzerland took place at St. Gallen where, since 2006, an opera is presented in the open air in front of the Cathedral around the first weekend of July. The production of Il diluvio was also given at the St. Galler Festspiele 2010 when Mirco Palazzi, Majella Cullagh and Manuela Custer appeared.
In 2023 a new production was given at Festival Donizetti in Bergamo with Riccardo Frizza as director and Nahuel di Pierro, Susanna Gianfaldoni and Enea Scala performing in the main roles.
Role | Voice type | Premiere Cast, 28 February 1830 (Conductor: - ) |
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Noè | bass | Luigi Lablache |
Jafet | baritone | Gennaro Ambrosini |
Sem | tenor | Giovanni Arrigotti |
Cam | bass | Lorenzo Salvi |
Tesbite | soprano | Fabiani |
Asfene | soprano | Cecilia Grassi |
Abra | mezzo-soprano | Edvige Ricci |
Cadmo | tenor | Berardo Winter |
Sela, Azael's mother | soprano | Luigia Boccabadati |
Ada, Sela's friend | soprano | Maria Carraro |
Artoo | tenor | Gaetano Chizzola |
Azael, child | silent | |
Chorus |
The opera tells the biblical story of the great flood.
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