In the article we present, we will delve into the fascinating world of It's Easier for a Camel... and explore its importance in today's society. It's Easier for a Camel... is a topic that has captured the attention of experts and enthusiasts alike, generating interesting and passionate debates. Over the years, It's Easier for a Camel... has proven its influence on different aspects of everyday life, from technology to popular culture. In this article, we will delve into the background of It's Easier for a Camel..., its evolution over time, and its impact on the modern world. In addition, we will analyze the various perspectives and opinions about It's Easier for a Camel..., with the aim of offering a comprehensive and objective vision of this very relevant topic.
| It's Easier for a Camel... | |
|---|---|
Film poster | |
| Directed by | Valeria Bruni Tedeschi |
| Written by | Valeria Bruni Tedeschi Noémie Lvovsky Agnès de Sacy |
| Produced by | Paulo Branco Maurizio Antonini Mimmo Calopresti |
| Starring | Valeria Bruni Tedeschi |
| Cinematography | Jeanne Lapoirie |
| Edited by | Anne Weil |
| Distributed by | Gemini Films |
Release date |
|
Running time | 110 minutes |
| Country | France |
| Language | French |
| Budget | $2.1 million |
| Box office | $3.2 million[1] |
It's Easier for a Camel... (French: Il est plus facile pour un chameau...) is a 2003 French comedy film written, directed by and starring Valeria Bruni Tedeschi. It was entered into the 25th Moscow International Film Festival[2] and was screened in competition at the 1st World Film Festival of Bangkok. It won the Louis Delluc Prize for Best First Film in 2003.
Tedeschi won prizes for Emerging Narrative Filmmaker and Best Actress at the 2003 Tribeca Film Festival.[3]
Film historian Tim Palmer described the film an engaging example of contemporary French pop-art cinema, referring to directors who wittily merge the features of intellectual/arthouse cinema with mass/popular cinema, and put director Tedeschi in the company of filmmakers such as François Ozon, Maîwenn le Besco, Sophie Fillières and Serge Bozon.[4]
On the review aggregator website Rotten Tomatoes, 46% of 13 critics' reviews are positive, with an average rating of 5.3/10.[5] Metacritic, which uses a weighted average, assigned the film a score of 53 out of 100, based on 8 critics, indicating "mixed or average" reviews.[6]