Jiang Shunfu
The topic of Jiang Shunfu is one that has captured the attention of many people in recent years. With an increasingly focused focus on the importance of this topic, it is not surprising that studies and research on Jiang Shunfu are on the rise. From its origins to its impact on modern society, Jiang Shunfu remains a topic of debate and reflection today. As we explore this topic further, we encounter a number of perspectives and opinions that make us question our own beliefs and knowledge about Jiang Shunfu. In this article, we will delve into the world of Jiang Shunfu and explore its relevance to our contemporary lives.
| Jiang Shunfu | |||||||||
|---|---|---|---|---|---|---|---|---|---|
 | |||||||||
| Chinese | 江舜夫 | ||||||||
| |||||||||
Jiang Shunfu (1453–1504), name Shaozong (韶宗), Courtesy name Shufu (named from legendary Shun) as a Chinese mandarin of the sixth rank under the Hongzhi Emperor during the Ming dynasty. He is best remembered today for a portrait displaying him in his official robes, one of the most famous such works from the era.
See also
References
- ^ a b Guan Shanming. Chinese Portraits, p. 33. Muwen Tang Fine Arts Publication Ltd., 2003.
- ^ Index to Ming Dynasty Chinese Paintings. "Portrait of Chiang Shun-fu (1453–1504). Anonymous." Harvard University, 2003. Accessed 7 Feb 2014.
- ^ Part of the Nanjing Museum collection. Record 2439387811 in Harvard University's Ming Dynasty Chinese Painters and Paintings Index.
- ^ Ebrey, Patricia B & al. Pre-modern East Asia to 1800: A Cultural, Social, and Political History 3rd ed., p. 239. Cengage Learning, 2013. ISBN 1285546237. Accessed 7 Feb 2014.
 | This Chinese biographical article is a stub. You can help Wikipedia by expanding it. |