Nowadays, Jonnalagadda Gurappa Chetty has become a topic of general interest that has captured the attention of a wide audience. Whether due to its relevance in today's society, its impact on popular culture, or its importance in the academic and scientific field, Jonnalagadda Gurappa Chetty has positioned itself as a key topic in contemporary discourse. In this article, we will explore the various aspects related to Jonnalagadda Gurappa Chetty, analyzing its influence in different areas and examining its relevance in today's world. From its origin to its evolution over time, we will delve into the complexity of Jonnalagadda Gurappa Chetty to understand its meaning and its reach in today's society.
Jonnalagadda Gurappa Chetty | |
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Born | 1937 |
Occupation(s) | Painter Master craftsman Writer |
Known for | Kalamkari |
Parent | J. Lakshmaiah Chetty |
Awards | Padma Shri Shilpaguru Rasthriya Samman Tulsi Samman |
Jonnalagadda Gurappa Chetty is an Indian painter, craftsman and writer, known for his contributions for the revival of the Indian textile art form of Kalamkari. He is a recipient of honours such as Shilpaguru, Rasthriya Samman, Tulsi Samman and Kamaladevi Vishwa Karigar Award. The Government of India awarded him the fourth highest civilian honour of the Padma Shri, in 2008, for his contributions to Kalamkari art.
Jonnalagadda was born to J. Lakshmaiah Chetty, in a family of Kalamkari artists at Srikalahasti, a temple town in the Chittoor district of Andhra Pradesh in 1937 and started learning the art from his father from an early age. His career started as a school teacher but he continued painting, focusing on Kalamkari art, which soon earned him appreciation. He is the author of three books in Telugu, Bharata Ratna Mala, Bhagavatha Mani Mala and Vraatha Pani (Kalamkari), besides contributing to an English publication by Parampaarik Kaarigaar.