In today's world, Jorge Fons has become a topic of great relevance and interest. With the advancement of technology and globalization, Jorge Fons has acquired an importance that transcends borders and has become a topic of discussion and debate in various areas. From politics to popular culture, Jorge Fons has left its mark on contemporary society, generating conflicting opinions and deep reflections. In this article, we will explore different aspects related to Jorge Fons, analyzing its impact in different spheres and reflecting on its influence on our daily lives.
Jorge Fons | |
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Born | Jorge Fons Pérez 23 April 1939 Tuxpam de Rodríguez Cano, Veracruz, México |
Died | 22 September 2022 México, Ciudad de México, México | (aged 83)
Nationality | Mexican |
Alma mater | National Autonomous University of Mexico |
Occupations | |
Years active | 1965–2022 |
Jorge Fons Pérez (23 April 1939 – 22 September 2022) was a Mexican film director.
He belonged to the first generation of film directors of the UNAM. His short film, Caridad (1973), is still considered one of the best films in Mexican cinema. Two of the most important films of his filmography are Rojo amanecer (1989) and El callejón de los milagros (1995) based on the homonymous book by Naguib Mahfouz, Midaq Alley of 1947 (زقاق المدق), which breaks the classic lineal plots in films.
His 1976 film, Los albañiles, won the Silver Bear at the 27th Berlin International Film Festival. In 1995, his film El callejón de los milagros won a Special Mention at the 45th Berlin International Film Festival.
Fons died in Mexico City on 22 September 2022, at the age of 83.