Juan Larrea (poet)

Nowadays, Juan Larrea (poet) is a topic on everyone's lips. The importance of Juan Larrea (poet) has been increasing over the years, becoming a key point in various areas of society. Whether in politics, economics, science, health, culture and many other aspects, Juan Larrea (poet) has taken a relevant role that cannot be overlooked. This article aims to delve into the different aspects related to Juan Larrea (poet), analyzing its impact, its challenges and its possible implications for the future. Through this article, we will seek to address from various perspectives the importance of Juan Larrea (poet) today and its projection in the coming years.

Juan Larrea Celayeta (Bilbao, 13 March 1895 – Córdoba, Argentina, 9 July 1980) was a Spanish essayist and poet.

He studied literature at the University of Salamanca, and moved later to Paris where he published in French language the magazine Favorables París Poema with César Vallejo. After the Spanish Civil War, he moved definitively to the Americas, where he was an active member of the cultural life. He was an incessant collector and some of his collections about Inca art were donated to the National Archaeological Museum of Spain in 1937.

Guernica (1937 Picasso painting)

Immediately after hearing about the 26 April 1937 bombing of Guernica, Larrea visited Pablo Picasso in his Paris studio and urged him to make the bombing the subject for the large mural the Spanish Republican government had commissioned him to create for the Spanish pavilion at the 1937 Paris World's Fair, which resulted in Picasso's famed anti-war painting Guernica.

Works

Poetry

  • Oscuro dominio, 1935
  • Versión celeste, 1969
  • Orbe, 1990

Essays

  • Arte Peruano (1935)
  • Rendición de Espíritu (1943)
  • El Surrealismo entre Viejo y Nuevo mundo (1944)
  • The Vision of the "Guernica" (1947)
  • La Religión del Lenguaje Español (1951)
  • La Espada de la Paloma (1956)
  • Razón de Ser (1956)
  • César Vallejo o Hispanoamérica en la Cruz de su Razón (1958)
  • Teleología de la cultura (1965)
  • Del surrealismo a Machu Picchu (1967)
  • Guernica (1977)
  • Cara y cruz de la República (1980)

References

  1. ^ (Gutiérrez Bolívar 1995, p. 7)
  2. ^ John Richardson "A Different Guernica". The New York Review of Books, 12 May 2016, pp. 4–6.

Works cited

  • Gutiérrez Bolívar, Jorge (1995). "El legado de Juan Larrea". Anales del Museo de América (in Spanish) (3). Madrid: Museo de América: 7–20. ISSN 1133-8741.

External links