In today's world, Kitty Empire is a topic that has gained great relevance and has become a matter of interest to both experts and the general public. Since its emergence, Kitty Empire has sparked constant debate, generating conflicting opinions and triggering a series of investigations and analyzes in various fields. This article aims to thoroughly address this topic and analyze its importance, impact and relevance in today's society. Along these lines, different perspectives and arguments related to Kitty Empire will be explored, in order to provide a broad and enriching vision of this issue that is so relevant today.
Kitty Empire | |
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Born | 1970 (age 53–54) Montreal, Quebec, Canada |
Nationality | British |
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Kitty Empire (born 1970) is the pen name of a British writer and music critic, currently writing for The Observer.
Empire says that she was born in Montreal, Quebec, in 1970 and brought up in Canada, Italy and Egypt before arriving in Britain in 1988. She studied at Wadham College, Oxford, and Thames Valley University before working as a stage door-keeper for the Royal Shakespeare Company and London's Barbican Theatre. Empire describes herself as a feminist.
Empire began writing about music at the NME in 1995, continuing for seven years. In 2002, she became pop critic for The Observer. She has also contributed to a variety of publications and broadcasts such as Elle (US), GQ, Radio 4's Woman's Hour, Newsnight Review, Uncut and The Scotsman. In 2008, she served as a judge for the Mercury Music Prize and she is a guest judge for the 2022 Observer / Anthony Burgess Prize for Arts Journalism. Empire also featured on 5Live, BBC 6Music, and BBC2's The Culture Show and Newsnight Review.
Writing in Cambridge University's Popular Music journal, Devon Powers and Tom Perchard describe Empire as "one of the UK's comparatively few broadsheet pop critics, and one of the most insightful." Jennifer Skellington notes that Empire's reviewing style focuses as much upon the artists as their art, and reflects a trend towards "a less conservative approach to rock- and pop-related writing" in the quality press. Educator Mary Hogarth praises Empire's "show, don't tell" approach to writing, her pacing, and her balance of description, perspective, and first-hand experience.