Kurdish tanbur
Today, we will delve into an exciting and relevant topic that has captured the attention of many: Kurdish tanbur. From its origins to its impact on today's society, Kurdish tanbur is a topic that leaves no one indifferent. Throughout this article, we will explore the different aspects related to Kurdish tanbur, from its historical background to its influence on everyday life. Through deep and thoughtful analysis, we will seek to understand the importance and meaning that Kurdish tanbur has today, as well as its potential for the future. In short, we will immerse ourselves in a journey in which we will discover the richness and complexity of Kurdish tanbur, addressing different perspectives and approaches to enrich our knowledge of this fascinating topic.
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| String instrument | |
|---|---|
| Other names | Tembûr, Tanbour, Tanbūr |
| Classification | Plucked string instrument |
| Related instruments | |
Kurdish tanbur (Kurdish: تهمبوور, romanized: Tembûr) or tanbour a fretted string instrument, is an initial and main form of the tanbūr instrument family, used by the Kurds. It is highly associated with the Yarsan (Ahl-e Haqq) religion in Kurdish areas and in the Lorestān provinces of Iran. It is one of the few musical instruments used in Ahl-e Haqq rituals, and practitioners venerate the tembûr as a sacred object. Another popular percussion instrument used together with the tembur is the Kurdish daf, but that's not sacred in Yarsan spirituality and Jam praying ceremony.
Nowadays tembur is played all over Iran, but Kurdish tembur is mainly designed and has been for centuries in the Hawraman region in the provinces of Kermanshah Province, Kurdistan Province and Lorestan. The more traditional and accepted temburs originate from the cities of Kermanshah, Sahneh and Gahvareh. Tembur is locally called tamur, tamureh, tamyarah or tamyorah (تَمیُرَه ، تَمیرَه ، تموره, تمور) there. The Kermanshah tembur should not be confused with saz also called tembûr in Kurmancî Kurdish.
The tembûr measures 90 cm in length and 16 cm in width. The resonator is pear-shaped and made of either a single piece or multiple carvels of mulberry wood. The neck is made of walnut wood and has 13 or 14 frets or, arranged in a semi-tempered chromatic scale (one of the only middle eastern musical instruments not microtonal). The tembûr employs three metal strings that the first course is double. The melody is played on the double strings with a unique playing technique of strumming the right hand with each finger separately when motioning the hand upwards from the position beneath the strings.
Notable players
See also
References
- ^ a b c d e Scheherezade Qassim Hassan; Morris, R. Conway; Baily, John; During, Jean (2001). "Tanbur". In Sadie, Stanley; Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians. Vol. xxv (2nd ed.). London: Macmillan. pp. 61–62.
- ^ Shiloah, Amnon (2001). "Kurdish music". In Sadie, Stanley; Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians. Vol. xiv (2nd ed.). London: Macmillan. p. 40.
- ^ "تنبور (یا تمبور/ طنبور)". Encyclopaedia Islamica. Archived from the original on June 23, 2013. Retrieved March 3, 2013.
- ^ "Farid Elhami Releases Tanbur Album After 15 Years of Research". Financial Tribune. 2018-07-02. Retrieved 2020-05-27.
Sources
- Darvishi, Mohammad-Reza (2002) . "Kermanshahan tanbur (تنبور – کرمانشاهان)". Encyclopedia of the Musical Instruments of Iran. Tehran, Iran: موسسه فرهنگی هنری ماهور (Mahour). ISBN 9646409458.
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