L'Armida immaginaria

In today's world, L'Armida immaginaria is a topic that has gained unprecedented relevance. Both on a personal and global level, L'Armida immaginaria has become one of the main concerns of society, generating debates, research and significant changes in different areas. From the scientific to the cultural sphere, the presence of L'Armida immaginaria has left its mark on the way we live, think and interact with our environment. Therefore, it is imperative to fully explore the implications and consequences of L'Armida immaginaria, as well as reflect on possible solutions and strategies to address the challenges it poses. In this article, we will delve into the wide spectrum of aspects related to L'Armida immaginaria, with the aim of providing a critical and enriching look at this topic that is so relevant today.

L'Armida immaginaria
Dramma giocoso by Domenico Cimarosa
The composer
LibrettistGiuseppe Palomba
LanguageItalian
Premiere
1777 (1777)
Teatro di Fiorentini, Naples

L'Armida immaginaria is a dramma giocoso in three acts by composer Domenico Cimarosa with an Italian libretto by Giuseppe Palomba. The opera was first performed in Naples during the summer of 1777 at the Teatro di Fiorentini.

Roles

Roles Voice type Premiere Cast, Summer 1777
(Conductor: – )
Marchesina Tisbea soprano Anna Maria Benvenuti
Ermidora soprano Francesca Benvenuti
Stella soprano Maria Giuseppa Migliozzi
Masto Giorgio baritone Giuseppe Casaccia
Patro Caspero tenor Antonio Casaccia
Battistino tenor Nicola Zarlatti
Don Bernabo baritone Giovanni Beltrani

Other operas named after the sorceress Armida

References

  1. ^ "Operone.de page of the opera". Archived from the original on 18 April 2008. Retrieved 8 June 2008.
  2. ^ "ItalianOpera.org page on the work and the composer". Archived from the original on 19 July 2011. Retrieved 21 February 2020.
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