In today's world, La Petite Niçoise has become a recurring and important topic in society. Whether due to its impact on daily life, its historical relevance or its influence on the development of new technologies, La Petite Niçoise is a topic that continues to generate interest and debate. From ancient times to the present, La Petite Niçoise has been the object of study and reflection, generating a wide range of opinions and approaches. In this article, we will explore various perspectives on La Petite Niçoise, analyzing its importance and the impact it has had in different contexts. Through a detailed and exhaustive analysis, we will seek to better understand the relevance of La Petite Niçoise in today's society and in history.
La Petite Niçoise | |
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Artist | Berthe Morisot |
Year | 1889 |
Medium | Oil on canvas |
Dimensions | 64 cm × 52 cm (25 in × 20 in) |
Location | Musée des Beaux-Arts de Lyon |
La Petite Niçoise (The Small Girl from Nice) is an oil-on-canvas painting by the French Impressionist artist Berthe Morisot, executed in 1889. It has been in the collection of the Musée des Beaux-Arts de Lyon since 1907.
The painting shows a young girl presented at the waist, seated and turned three-quarters. She stares at the viewer with her brown eyes, her hands resting one on the other at the level of her knees. With her long brown hair in the wind, she wears a discreet earring in her left ear (the only one visible), lipstick, a dark blue top decorated with a rose in the buttonhole and a green-hued skirt. Behind her unfolds a barely sketched mountainous landscape, with a few sketchy forms of trees being recognizable on the left.