In this article, we will approach the topic of Latino (film) from different perspectives, with the aim of providing a complete and detailed view on this matter. We will explore its origins, its evolution over time, its relevance today and possible implications for the future. We will delve into its impact in various areas, from science to popular culture, including politics and economics. Additionally, we will analyze expert opinions and people's experiences related to Latino (film), in order to shed light on its many facets and lesser-known aspects. Ultimately, this article will be a complete guide for those interested in thoroughly understanding Latino (film) and all its implications.
| Latino | |
|---|---|
Film poster | |
| Directed by | Haskell Wexler |
| Written by | Haskell Wexler |
| Produced by |
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| Starring | |
| Cinematography | Newton Thomas Sigel |
| Edited by | Robert Dalva |
| Music by | Diane Louie |
Production companies |
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| Distributed by | Cinecom Pictures |
Release dates | |
Running time | 105 minutes |
| Country | United States |
| Languages | English Spanish |
Latino is a 1985 American war film directed by Haskell Wexler. It was screened in the Un Certain Regard section at the 1985 Cannes Film Festival.[1]
Set in the context of the Sandinista government in Nicaragua and their battle with the U.S.-backed Contra rebels in 1979, Mexican-American Vietnam vet Eddie Guerrero (Robert Beltran) was sent to help U.S. Special Forces train Contra rebels. Eddie falls for a local girl, Marlena (Annette Charles). However, when her father is killed by the Contras, things change.