This article will address the issue of Lee Mi-ja, which has become increasingly relevant today. Since its emergence, Lee Mi-ja has aroused great interest in various sectors, generating debates and controversies around its social, economic and cultural impact. In this sense, it is essential to analyze in depth the different aspects related to Lee Mi-ja, as well as its implications at a global level. Likewise, it will seek to offer a comprehensive and objective vision of this topic, providing key information that allows the reader to understand its importance and scope today.
Lee Mi-ja | |
|---|---|
| Born | October 30, 1941 |
| Occupation | Singer |
| Years active | 1959–present |
| Honours | |
| Musical career | |
| Genres | Trot |
| Korean name | |
| Hangul | 이미자 |
| Hanja | 李美子 |
| RR | I Mija |
| MR | I Mija |
Lee Mi-ja (Korean: 이미자; born October 30, 1941)[1] is a South Korean singer. She is widely considered the most influential trot singer in Korean music history.[2] Lee debuted in 1959 and rose to stardom with her 1964 best-selling song, "Camellia Girl."[3] She has released over 500 albums during her career and is known as the "Queen of Elegy," after one of her most popular songs.[4] In 2002, she became one of the first South Korean singers to perform in North Korea.[5]
| Country | Organization | Year | Honor or Award | Ref. |
|---|---|---|---|---|
| South Korea | Korean Popular Culture and Arts Awards[note 1] | 2013 | Eungwan Order of Cultural Merit | [9] |
| 2023 | Gold Crown Cultural Medal | [10] |