Leopold Graf von Kalckreuth

This article will address Leopold Graf von Kalckreuth, a topic that has gained relevance in recent years due to its impact in various contexts. From the Leopold Graf von Kalckreuth perspective, its importance and impact on _var2 will be analyzed, as well as its influence on _var3. Throughout this document, different approaches and points of view on Leopold Graf von Kalckreuth will be presented, in order to provide a comprehensive and updated vision of this topic. Likewise, concrete examples and case studies will be presented that will practically illustrate the relevance of Leopold Graf von Kalckreuth today. With a multidisciplinary approach, the aim is to offer a holistic vision of Leopold Graf von Kalckreuth, allowing readers to understand its scope and applications in various areas.

Regarding personal names: Until 1919, Graf was a title, translated as Count, not a first or middle name. The female form is Gräfin. In Germany, it has formed part of family names since 1919.
Self-portrait (1906)

Leopold Karl Walter Graf von Kalckreuth (15 May 1855 – 1 December 1928) was a German painter, known for portraits and landscapes.

Biography

A direct descendant of field-marshal Friedrich Adolf Graf von Kalckreuth, Leopold was born at Düsseldorf, received his first training at Weimar from his father, the landscape painter Count Stanislaus von Kalckreuth (1820–1894), and subsequently studied at the academies of Weimar and Munich.

Although he painted some portraits remarkable for their power of expression, he devoted himself principally to depicting with relentless realism the monotonous life of the fishing folk on the sea-coast, and of the peasants in the fields. His palette is joyless, and almost melancholy, and in his technique he is strongly influenced by the impressionists. He was one of the founders of the secessionist movement. One of his students was Hellmut Eichrodt.

From 1885 to 1890, Count von Kalckreuth was professor at the Weimar art school. In 1890, he resigned his professorship and retired to his estate of Hockricht in Silesia, where he occupied himself in painting subjects drawn from the life of the country-folk. In 1895, he became a professor at the Academy of Fine Arts, Karlsruhe.

The Munich Pinakothek has his Rainbow and the Dresden Gallery his Old Age. Among his chief works are the Funeral at Dachau, Homewards, Wedding Procession in the Carpathian Mountains, The Gleaners, Before the Fish Auction, Summer, and Going to School.

Leopold's sister Maria was also a painter. Leopold's sister Clara was a pianist who studied with Clara Schumann and with Franz Liszt. A love of art and music was passed through this family to Leopold’s great-nephew, Dietrich Bonhoeffer (1906–1945), the German theologian and martyr who gave his life in opposing Adolf Hitler.

Selected paintings

Further reading

  • Albert Philipp Wilhelm von Kalckreuth, Historisch-Genealogische Beiträge zur Geschichte der Herren, Freiherren und Grafen von Kalckreuth, Stein, 1904.

References

  1. ^ Nichols, K. L. "Women's Art at the World's Columbian Fair & Exposition, Chicago 1893". Retrieved 21 November 2018.
  2. ^ Dietrich Bonhoeffer: A Biography, Eberhard Bethge, Fortress Press, 2000, p. 3.

External links