In this article we are going to explore Linus Sandgren, a topic that has captured the attention of many over the years. From its origins to its impact on modern society, Linus Sandgren has been the subject of debate and discussion. As we delve deeper into this topic, we will discover its implications in different areas, as well as the advances and challenges that surround it. Using a critical and analytical approach, we will examine the importance of Linus Sandgren in today's world and how it has shaped our perception and understanding of it. Through this article, we hope to offer a deeper and more complete vision of Linus Sandgren, inviting our readers to reflect on its relevance and meaning today.
Linus Sandgren | |
|---|---|
| Born | 5 December 1972 Spånga, Sweden |
| Occupation | Cinematographer |
| Years active | 2000–present |
| Organization(s) | Swedish Society of Cinematographers American Society of Cinematographers |
| Website | www |
Linus Sandgren FSF, ASC (born 5 December 1972) is a Swedish cinematographer, known for his collaborations with directors Damien Chazelle, David O. Russell, Gus Van Sant, and the duo of Måns Mårlind and Björn Stein.
Sandgren is known for his use of unique and unconventional formats,[1] shooting Van Sant's Promised Land in 4-perf Super 35mm 1.3x anamorphic for a 1.85:1 aspect ratio and Chazelle’s First Man on a variety of different formats: Super 16mm, 35mm Techniscope, Super 35 3-perf, and IMAX 70mm film.[2]
For his work on La La Land (2016), which he shot in the classic Cinemascope ratio of 2.55:1, he won the Academy Award, BAFTA, Critics Choice and other awards for his cinematography.[3][4][5][6][7] He is additionally the recipient of a Guldbagge Award, Sweden's highest film honor. He is a member of both the American and Swedish Society of Cinematographers.[8] He also shot No Time to Die, directed by Cary Joji Fukunaga, the 25th James Bond film.[9]
| Year | Title | Director | Notes |
|---|---|---|---|
| 2005 | Storm | Måns Mårlind Björn Stein |
|
| 2010 | Shelter | ||
| 2012 | Promised Land | Gus Van Sant | |
| 2013 | American Hustle | David O. Russell | |
| 2014 | The Hundred-Foot Journey | Lasse Hallström | |
| 2015 | Joy | David O. Russell | |
| 2016 | La La Land | Damien Chazelle | |
| 2017 | Battle of the Sexes | Jonathan Dayton Valerie Faris |
|
| 2018 | First Man | Damien Chazelle | |
| The Nutcracker and the Four Realms | Lasse Hallström Joe Johnston |
||
| 2021 | No Time to Die | Cary Joji Fukunaga | |
| Don't Look Up | Adam McKay | ||
| 2022 | Babylon | Damien Chazelle | |
| 2023 | Saltburn | Emerald Fennell | |
| 2025 | Jay Kelly | Noah Baumbach | |
| 2026 | Wuthering Heights † | Emerald Fennell | Post-production |
| Dune: Part Three † | Denis Villeneuve | Post-production |
| Year | Title | Director | Notes |
|---|---|---|---|
| 2002 | Överallt och ingenstans | Kajsa Eldin Kristina Kjellin |
TV movie |
| Spung | Måns Mårlind | 4 episodes | |
| 2003 | Rätt i rutan | Carl Svensson | 7 episodes |
| 2004 | Kommissarie Winter | Eddie Thomas Petersen | Episode: "Himlen är en plats på jorden - Del 1" |
| 2006 | Snapphanar | Måns Mårlind Björn Stein |
Miniseries |
Academy Awards
| Year | Title | Category | Result |
|---|---|---|---|
| 2016 | La La Land | Best Cinematography | Won |
BAFTA Awards
| Year | Title | Category | Result |
|---|---|---|---|
| 2016 | La La Land | Best Cinematography | Won |
| 2018 | First Man | Nominated | |
| 2021 | No Time to Die | Nominated |
American Society of Cinematographers
| Year | Title | Category | Result |
|---|---|---|---|
| 2016 | La La Land | Outstanding Achievement in Cinematography | Nominated |
| 2018 | First Man | Nominated |
Critics' Choice Movie Awards
| Year | Title | Category | Result |
|---|---|---|---|
| 2016 | La La Land | Best Cinematography | Won |
| 2018 | First Man | Nominated | |
| 2023 | Saltburn | Nominated |
Royal Photographic Society
| Year | Category | Result |
|---|---|---|
| 2020 | Lumière Award | Won |
Washington D.C. Area Film Critics Association
| Year | Title | Category | Result |
|---|---|---|---|
| 2016 | La La Land | Best Cinematography | Won |
| 2018 | First Man | Nominated |
San Francisco Film Critics Circle
| Year | Title | Category | Result |
|---|---|---|---|
| 2016 | La La Land | Best Cinematography | Nominated |
| 2018 | First Man | Nominated |
Alliance of Women Film Journalists
| Year | Title | Category | Result |
|---|---|---|---|
| 2016 | La La Land | Best Cinematography | Nominated |
| 2018 | First Man | Nominated |
Chicago Film Critics Association
| Year | Title | Category | Result |
|---|---|---|---|
| 2016 | La La Land | Best Cinematography | Won |
| 2018 | First Man | Nominated |
| Year | Award | Category | Title | Result |
|---|---|---|---|---|
| 2016 | Dallas–Fort Worth Film Critics Association | Best Cinematography | La La Land | Won |
| Satellite Awards | Best Cinematography | Nominated | ||
| St. Louis Gateway Film Critics Association | Best Cinematography | Won | ||
| Florida Film Critics Circle | Best Cinematography | Won | ||
| Online Film Critics Society | Best Cinematography | Won | ||
| Los Angeles Film Critics Association | Best Cinematography | 2nd place | ||
| San Diego Film Critics Society | Best Cinematography | 2nd place | ||
| National Society of Film Critics | Best Cinematography | 2nd place | ||
| Indiewire Critics Poll | Best Cinematography | 2nd place | ||
| Atlanta Film Critics Society Awards | Won | |||
| Phoenix Film Critics Society | Won | |||
| Las Vegas Film Critics Society | Won | |||
| Southeastern Film Critics Association | Won | |||
| Utah Film Critics Association | Won | |||
| Nevada Film Critics Association Award | Won | |||
| Austin Film Critics Association Awards | Won | |||
| North Texas Film Critics Association | Won | |||
| North Carolina Film Critics Association | Won | |||
| Houston Film Critics Society | Won | |||
| Central Ohio Film Critics Association | Won | |||
| Hawaii Film Critics Society | Won | |||
| Seattle Film Critics Association | Nominated | |||
| 2018 | Dublin Film Critics Circle | First Man | Won | |
| Los Angeles Online Film Critics Society | Nominated | |||
| S:t Louis Film Critics Circle Awards | Nominated | |||
| North Texas Film Critics Association | 2nd place |