In today's world, Liu Tianhua has taken a leading role both in everyday life and in the professional sphere. With the advancement of technology and globalization, Liu Tianhua has become a topic of constant interest, generating debates, research and new ways of approaching it. From its influence on society to its implications on the economy, Liu Tianhua has impacted in various ways, transforming not only the way we interact, but also the way we think and relate to the environment. In this article, we will explore some of the most relevant facets of Liu Tianhua, analyzing its importance and its evolution over time.
Liu Tianhua | |
---|---|
Background information | |
Born | 1895 Jiangyin, Jiangsu, China |
Origin | Jiangsu |
Died | 1932 Beijing |
Genres | Chinese classical |
Instrument(s) | Erhu, Pipa |
Years active | early 1900s |
Liu Tianhua (simplified Chinese: 刘天华; traditional Chinese: 劉天華; pinyin: Liú Tiānhuá; Wade–Giles: Liu T'ien-hua; 1895–1932) was a Chinese musician and composer best known for his innovative work for the erhu. Liu's students, such as Jiang Fengzhi and Chen Zhenduo, continued to contribute to the development of the erhu.
He was the younger brother of the poet Liu Bannong. He died in 1932 at the age of 37.
Liu was a noted erhu and pipa player, and an early pioneer in the modernisation of traditional Chinese music. He joined Cai Yuanpei's Peking University Music Society as an instrumental instructor in 1922. He promoted Chinese music while he was at Peking University, founded the Society for the Improvement of Chinese Music (國樂改進社, Guóyuè Gǎijìnshè) in 1927 and its periodical, the Music Magazine (音樂雜誌, Yīnyuè Zázhì). The society organised classes and formed a musical ensemble to play Chinese music, a forerunner of the modern Chinese orchestra. He made improvements to the traditional fiddle huqin, in particular the erhu, so that it can become an instrument suitable for a modern stage performance, and wrote music for the instrument. He also made changes to the pipa, increasing the number of frets and used an equal-tempered tuning.
Titles in pinyin, Chinese characters and English translation.