Nowadays, London Films is a topic that arouses great interest and debate in today's society. Its relevance ranges from personal aspects to global issues, and its impact is evident in different areas. As time goes on, London Films continues to be a topical topic that continues to generate controversy. From the perspective of research and analysis, it is necessary to delve into the different aspects covered by London Films to understand its scope and importance in the contemporary world. In this article, we will delve into the most relevant aspects of London Films and analyze its influence on today's society.
Industry | production |
---|---|
Founded | 1932 |
Founder | Alexander Korda |
Headquarters | Buckinghamshire |
London Films Productions is a British film and television production company founded in 1932 by Alexander Korda and from 1936 based at Denham Film Studios in Buckinghamshire, near London. The company's productions included The Private Life of Henry VIII (1933), Things to Come (1936), Rembrandt (1936), and The Four Feathers (1939). The facility at Denham was taken over in 1939 by Rank and merged with Pinewood to form D & P Studios. The outbreak of war necessitated that The Thief of Bagdad (1940) be completed in California, although Korda's handful of American-made films still displayed Big Ben as their opening corporate logo.
After a restructuring of Korda's UK operations in the late 1940s, London Films were made at Shepperton. One of these was The Third Man (1949). The company's film The Sound Barrier (1952) won the Academy Award for Best Sound.
More than 40 years after Korda died in January 1956, the company returned to active film-making in 1997 with Morgan Mason as the chief executive.