In today's world, Lucky Jim (1909 film) has become a topic of great relevance and attention. Since its emergence, Lucky Jim (1909 film) has captured the interest of experts, researchers and the general public, generating a wide range of debates, theories and opinions. Whether due to its impact on society, its influence on culture or its relevance in history, Lucky Jim (1909 film) continues to be the object of analysis and discussion in various areas. In this article, we will explore the different aspects of Lucky Jim (1909 film), from its origin to its impact on today's world, in order to provide a comprehensive vision of this exciting and controversial topic.
| Lucky Jim | |
|---|---|
| Directed by | D. W. Griffith |
| Written by | Stanner E. V. Taylor |
| Produced by | American Mutoscope and Biograph Company |
| Starring | Marion Leonard |
| Cinematography | Arthur Marvin Billy Bitzer |
| Distributed by | Biograph Company |
Release date |
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Running time | 5 minutes |
| Country | United States |
| Language | Silent |
Lucky Jim is a 1909 short film directed by D. W. Griffith. It was produced by the Biograph Company and starred Marion Leonard and Mack Sennett.[1][2] Originally released in a split-reel with Twin Brothers (1909), prints of the film still exist today.[3]
also uncredited