Today, Machiko Kyō is a topic that has captured the attention of millions of people around the world. With the advancement of technology and globalization, Machiko Kyō has become a fundamental aspect in our daily lives. From its impact on society to its influence on the global economy, Machiko Kyō is a topic that deserves to be explored in depth. Through this article, we will delve into the many facets of Machiko Kyō, examining its history, its current relevance and its future projection. Without a doubt, Machiko Kyō is a topic that arouses universal interest and that continues to generate debate and reflection in different areas and disciplines.
This article needs additional citations for verification. (May 2019) |
Machiko Kyō | |
---|---|
京 マチ子 | |
Born | Motoko Yano (矢野 元子) March 25, 1924 Osaka, Japan |
Died | May 12, 2019 Tokyo, Japan | (aged 95)
Occupation | Actress |
Years active | 1936–2006 |
Motoko Yano, better known as Machiko Kyō (京 マチ子, Kyō Machiko, March 25, 1924 – May 12, 2019), was a Japanese actress who was active primarily in the 1950s. Considered one of Japan's first sex symbols and one of its greatest screen actresses, Kyō is best known for her critically acclaimed work with directors Akira Kurosawa, Yasujirō Ozu, Kenji Mizoguchi, Mikio Naruse, Kon Ichikawa, Teinosuke Kinugasa, Kōzaburō Yoshimura, Shirō Toyoda and Hiroshi Teshigahara, appearing in films such as Rashomon, Ugetsu, Gate of Hell, Street of Shame, Floating Weeds, Odd Obsession and The Face of Another.
Kyō, an only child, was born Motoko Yano (矢野 元子, Yano Motoko) in Osaka in 1924. Her father left when she was age 5, and she was raised by her mother and grandmother. She adopted Machiko Kyō as her stage name when she entered the Osaka Shochiku Kagekidan in 1936 at age 12. She trained as a revue dancer and then entered the film industry through Daiei Film in 1949. Two years later, she achieved international fame as the female lead in Akira Kurosawa's film Rashomon, which won first prize at the Venice Film Festival and stunned audiences with its nonlinear narrative.
Kyō starred in many more Japanese productions, including Kenji Mizoguchi's Ugetsu (1953), Teinosuke Kinugasa's Gate of Hell (1953), Kon Ichikawa's Odd Obsession (1959), and Yasujirō Ozu's Floating Weeds (1959).
Her sole role in a non-Japanese film was as Lotus Blossom, the young geisha in The Teahouse of the August Moon (1956), for which she received a Golden Globe nomination.
Kyō continued to act through her 80s. Her final role was as Matsuura Shino in the NHK television drama series Haregi Koko Ichiban in 2000. In 2017, she was presented with an award of merit at the 40th Japanese Academy Awards. After retiring from film, she moved back to Osaka, where she resided until her death.
Kyō never married, but her romantic relationship with Daiei Film's president Masaichi Nagata was well-publicized in Japan.
Kyō died from heart failure at her home in Tokyo on May 12, 2019 at the age of 95. She was one of the first famous Japanese people who died in the Reiwa period.[citation needed]