Malaluba Gumana

In today's world, Malaluba Gumana is an issue that has taken on great relevance in society. For several years now, Malaluba Gumana has become a point of interest for researchers, companies and governments, generating extensive debate about its implications and consequences. The importance of Malaluba Gumana has been reflected in various areas, from politics to technology, culture and economics. In this article, different approaches and perspectives on Malaluba Gumana will be discussed, with the aim of better understanding its impact today and in the future.

Malaluba Gumana (born 1953) is an Australian Aboriginal artist from northeast Arnhem Land, who has gained prominence through her work in painting and the production of larrakitj, the memorial poles traditionally used by Yolngu people in a mortuary ceremony.

Her work is held in collection at the National Gallery of Australia and the Art Gallery of New South Wales. She has won awards in categories for bark painting and three-dimensional work at the Telstra National Aboriginal and Torres Strait Islander Art Awards (NATSIAA). Her work is represented in the Kerry Stokes Larrakitj Collection, which was exhibited by the Art Gallery of Western Australia and also gained an exhibition place at the Sydney Biennale.

Background

Gumana was born in 1953 and lived in the Gangan homeland of the Blue Mud Bay region in northeast Arnhem Land. She is an artist with Buku-Larrŋgay Mulka Centre in Yirrkala, an Indigenous community-controlled art centre of northeast Arnhem Land. Her complex and fluid paintings frequently refer to the story of the all-powerful Rainbow Serpent or wititj (olive python) as it travels through her mother's Gålpu clan lands. She mainly represents the Gålpu clan designs of dhatam (water lily), djari (rainbow), djayku (file snake) and wititj (olive python), applying the technique of marwat (cross-hatching) using a finely controlled hair brush. Intellectual property rights of clan designs are held by the clan, and only people with rights to certain designs are able to use them.

Gumana is well-known for her production of larrakitj which the Yolngu people used as bone receptacles in traditional funerary rites. The larrakitj are made from stringy bark trees that have been hollowed out by termites. The trees are selected and harvested after the dry-season fires and are then smoothed and shaped for painting with ochres in a cultural process, with each larrakitj presenting clan-specific designs.

Career

From 2006, Gumana started creating larger and more complex work with the encouragement of her art centre. In 2007, her work was shown for the National Aboriginal and Torres Strait Islander Art Awards (NATSIAA) at the Museum and Art Gallery of the Northern Territory in Darwin. In 2008, her bark and hollow logs sold out at an exhibition with Niagara Galleries, Melbourne, and her dhatam imagery was selected by the Garma Festival of Traditional Cultures for T-shirt and promotional material. By 2009, her larrakitj were part of the Kerry Stokes Larrakitj Collection, which exhibited that year at the Art Gallery of Western Australia, Perth, and also won an exhibition place in the 17th Sydney Biennale at the Museum of Contemporary Art in 2010. In 2013, she won a NATSIAA award in the category for Bark Painting, followed by another win in 2019 of NATSIAA’s Wandjuk Marika Memorial 3D Award for three-dimensional work by an Indigenous artist.

Gumana’s work is held in permanent collections at the National Gallery of Australia and the Art Gallery of New South Wales. Her work is part of Kerry Stokes' Larrakitj Collection, and is also held in private art collections at Woodside Energy Ltd and the Estate of Kerry Packer.

Work

Exhibitions

Collections">edit]

Awards

  • Use of her Dhatam imagery for Garma 2008 T-shirt and promotional material.
  • Telstra Bark Painting Award, NATSIAA, 2013
  • Wandjuk Marika Memorial 3D Award, NATSIAA, 2019

References

  1. ^ a b c "Rite of Spring / Rrarrandharr: Malaluba Gumana with Djirrirra Wunungmurra / Saskia Havekes — 10 September to 8 October 2011". The Cross Art Projects. Retrieved 24 August 2020.
  2. ^ a b "Search results for "larrakitj"". Buku-Larrngay Mulka Centre. Retrieved 24 August 2020.
  3. ^ a b c d e f g h i j k l m Stubbs, Will. Malaluba Gumana Djirrarra Wunungmurra. Buku-Larrngay Mulka Arts. Annandale, New South Wales. ISBN 978-0-9924640-3-5. OCLC 931106695.
  4. ^ a b c d "Malaluba Gumana". Nomad Art. 12 January 2012. Retrieved 24 August 2020.
  5. ^ a b c d e "2019 Winners - Telstra NATSIAA". MAGNT. Retrieved 24 August 2020.
  6. ^ a b c d "Larrakitj Kerry Stokes Collection". The Art Gallery of Western Australia. Archived from the original on 21 March 2019. Retrieved 24 August 2020.
  7. ^ a b c "Artists". Buku-Larrngay Mulka Centre. Retrieved 24 August 2020.
  8. ^ "Buku-Larrŋgay Mulka". Buku-Larrngay Mulka Centre. Retrieved 24 August 2020.
  9. ^ "MALALUBA GUMANA Prism - 29 August - 6 October 2012". Annandale Galleries. Retrieved 29 September 2020.
  10. ^ "Bark Paintings and Larrakitj from Yirrkala". Nomad Art. 7 April 2018. Retrieved 29 September 2020.