In today's article we will explore in depth the topic of Masada: Alef, a topic that has sparked interest and debate in different areas. Masada: Alef has been the subject of study and research in numerous disciplines, and its impact is evident in today's society. Since its emergence, Masada: Alef has generated mixed opinions and has been a cause for reflection by experts and fans. In this article, we will analyze different perspectives and approaches on Masada: Alef, with the aim of shedding light on its complexity and relevance today.
| Masada: Alef | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | 1994 | |||
| Recorded | February 20, 1994, RPM, NYC | |||
| Genre | Post-bop Klezmer | |||
| Length | 60:55 | |||
| Label | DIW DIW 888 | |||
| Producer | John Zorn, Kazunori Sugiyama | |||
| Masada chronology | ||||
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| John Zorn chronology | ||||
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Masada: Alef, also known as א or Masada 1, is a 1994 album by American jazz composer and saxophonist John Zorn featuring the Masada Quartet performing compositions inspired by Zorn's examination of Jewish culture.[1] It was the first album in a project that has included ten studio albums, concerts, and live recordings.
The album takes its inspiration from the mass suicide of Zealots at Masada in 73 CE, and is dedicated to Asher Ginzberg (1856–1927), the founding father of Cultural Zionism.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| The Penguin Guide to Jazz | |
The AllMusic review by Don Snowden awarded the album four stars stating "Alef is full of thrilling, varied music and just may remind some people who are put off by John Zorn's constant stream of conceptual projects how good a musician he is in a straight-ahead jazz context".[2]