Mechanical Licensing Collective
In today's world, Mechanical Licensing Collective has become a topic of great relevance and interest to a wide spectrum of individuals and communities. Since its emergence, Mechanical Licensing Collective has captured the attention of experts and fans alike, generating debate ranging from its origins to its impact on modern society. Mechanical Licensing Collective has been studied and analyzed from various perspectives, which has given rise to a vast amount of information and opinions on the matter. In this article, we will delve into the exciting world of Mechanical Licensing Collective, exploring its meanings, implications and possible future developments.
 | |
| Company type | 501(c)(6) organization |
|---|---|
| Industry | Music publishing |
| Founded | 2018 |
| Headquarters | |
Area served | United States |
Key people | Kris Ahrend (CEO) |
| Website | themlc |
The Mechanical Licensing Collective (MLC) is a nonprofit organization established under the Music Modernization Act of 2018.[1] It was created to issue blanket mechanical licences for qualified streaming services in the United States, such as Spotify, Apple Music, Amazon Music, and Tidal.[2]
History
In 2020, The MLC announced that four music data companies had joined its Data Quality Initiative (DQI), including: Blokur, Exactuals, Music Data Services, and TuneRegistry.[3] This move was made to ensure the accuracy of their musical works data in its current database.
As of January 2021, the MLC began paying royalties to rights owners.[4] In October 2022, it was reported that the MLC had paid almost $700 million in blanket royalties to songwriters and publishers.[5][6]
Funding
The digital services that use the MLC have a legal obligation to spend $33.5 million on their start-up costs and $28.5 million on their first-year operating costs.[7]
Function
To resolve the issue of music creators not getting paid for their work, the MLC built a publicly accessible musical works database and portal that creators and music publishers can use to submit and maintain their musical works data. This is so that when their music is played on streaming services, the generated royalties are collected from digital service providers and distributed to the appropriate songwriters, composers, lyricists, and music publishers.[8]
On the 6th December 2023, The MLC announced their Supplemental Matching Network, which initially consists of five companies (Blokur, Jaxsta, Pex, Salt and SX Works, a SoundExchange company) that will provide data matching services to complement and enhance The MLC’s existing matching processes and capabilities.[9] [10]
References
- ^ "Music Licensing Modernization | U.S. Copyright Office". www.copyright.gov. Retrieved December 30, 2022.
- ^ "About". www.themlc.com. Retrieved December 30, 2022.
- ^ "The MLC Partners With Software And Service Providers On Data Quality Initiative". musicrow.com. December 9, 2020. Retrieved January 16, 2023.
- ^ "What is the Mechanical Licensing Collective (MLC)?". help.songtrust.com. Retrieved December 30, 2022.
- ^ "Nearly $700m has been paid to songwriters and publishers by the MLC to date". Music Business Worldwide. October 24, 2022. Retrieved December 30, 2022.
- ^ Robinson, Kristin (October 21, 2022). "The MLC Reports $700M in Royalties Distributed to Songwriters and Publishers". Billboard. Retrieved December 30, 2022.
- ^ "Music Streamers Agree to Royalty Collective Funding Levels (1)". news.bloomberglaw.com. Retrieved December 30, 2022.
- ^ "Songtrust | The Mechanical Licensing Collective (The MLC)". www.songtrust.com. Retrieved December 30, 2022.
- ^ MLC Supplemental Matching Network (September 17, 2021). "Supplemental Matching Network". TheMLC. Retrieved December 6, 2023.
- ^ "The MLC selects Blokur and others for Supplemental Matching Network". Blokur.com. December 6, 2023. Retrieved December 21, 2023.
