In today's article we are going to delve into the fascinating world of Meine Seele rühmt und preist, BWV 189. From its origins to its relevance today, we will explore all the relevant aspects of this topic. We will learn about its impact on society, its influence in different areas and the possible future implications. Through a comprehensive analysis, we will discover how Meine Seele rühmt und preist, BWV 189 has managed to capture the attention of millions of people around the world and has left a significant mark on history. Get ready to embark on a journey of discovery and learning about Meine Seele rühmt und preist, BWV 189.
Meine Seele rühmt und preist | |
---|---|
Church cantata by Melchior Hoffmann (likely) | |
Catalogue | BWV 189; formerly attributed to Johann Sebastian Bach |
Genre | Solo cantata |
Meine Seele rühmt und preist (My soul extols and praises), BWV 189, is a church cantata credited to Johann Sebastian Bach and Melchior Hoffmann.
This is a solo cantata composed for the Feast of the Visitation of Mary. The prescribed readings for the day were Isaiah 11:1–5, and Luke 1:39–56. The librettist of the work is unknown. The German text of the cantata is a paraphrase of the Magnificat.
An old largely lost source attributes the cantata to Melchior Hoffmann (although seemingly confusing the composer with Johann Georg Hoffmann, an organist in Breslau). Throughout the 19th century the cantata was generally attributed to Bach. Only in the second half of the 20th century was the attribution restored to Melchior Hoffmann again in most sources.
The work in five movements is scored for solo tenor voice, two recorders, oboe, violin, and basso continuo.