Menin Gate at Midnight
The importance of Menin Gate at Midnight in today's society is undeniable. Every day, Menin Gate at Midnight becomes a topic of debate and reflection in different areas, whether in politics, science, entertainment or culture. Menin Gate at Midnight awakens the interest and curiosity of people, who seek to understand its impact on their lives and the world around them. In this article, we will explore the various aspects related to Menin Gate at Midnight, from its origin to its evolution today. We will analyze its influence on our daily decisions, as well as on the development of society as a whole.
| Menin Gate at Midnight | |
|---|---|
.jpg) | |
| Artist | Will Longstaff |
| Year | 1927 |
| Medium | Oil on canvas |
| Subject | Ghostly soldiers marching across a field in front of the Menin Gate war memorial |
| Dimensions | 137 cm × 170 cm (54 in × 67 in) |
| Location | Australian War Memorial, Canberra |
| Accession | ART09807 |
| Website | www |
Menin Gate at Midnight (also known as Ghosts of Menin Gate) is a 1927 painting by Australian artist Will Longstaff. The painting depicts a host of ghostly soldiers marching across a field in front of the Menin Gate war memorial. The painting is part of the collection of the Australian War Memorial in Canberra.
Longstaff painted the work after attending the unveiling of the Menin Gate memorial, at Ypres in Belgium, on 24 July 1927. The memorial commemorated those men of the British Empire, including Australia, who died in the battles of the First World War and have no known grave. Walking around the streets of Ypres after the ceremony, Longstaff was said to have seen a "vision of steel-helmeted spirits rising from the moonlit cornfields around him". Returning to London, Longstaff was reported to have painted the work in a single session, while "still under psychic influence".
The painting was immediately popular. It was purchased by Lord Woolavington for 2,000 guineas and presented to the Australian government. After a royal command viewing at Buckingham Palace for George V and the Royal family, the painting was displayed in Manchester and Glasgow. It was then taken around Australia, where record crowds paid to view the work. Longstaff oversaw the making of 2,000 prints, and 400 of those were given to the nascent Australian War Memorial to sell to raise funds.
Related works
The success of this work led Longstaff to paint three later companion pieces with a similar ghostly, spiritualist theme as can be seen below:
| Name | Year painted | Thumbnail | Description | Location | Notes |
|---|---|---|---|---|---|
| Immortal Shrine (Eternal Silence) | 1928 | .jpg) |
Showing ghostly soldiers marching past the Cenotaph in London on Remembrance Day | The Australian War Memorial, Canberra | |
| The Ghosts of Vimy Ridge | 1931 |  |
Depicting men of the Canadian Corps at Vimy Ridge | Railway Committee Room, Parliament of Canada | |
| Carillon | 1932 |  |
New Zealand soldiers in Belgium hearing the bells in their native country | Archives New Zealand | Multiple chromolithographs were produced for New Zealand schools. Several copies are now preserved at the National Library of New Zealand |
References
- ^ a b c d e f Grey, Anne. "Menin Gate at Midnigh". Retrieved 1 August 2018.
- ^ "ART09807 - Menin Gate at midnight". Australian War Memorial. Archived from the original on 30 June 2010. Retrieved 21 October 2010.
- ^ "Immortal shrine". www.awm.gov.au. Retrieved 25 February 2022.
- ^ "The Ghosts of Vimy Ridge - History, Arts and Architecture - House of Commons". www.ourcommons.ca. Retrieved 25 February 2022.
- ^ "Archives New Zealand || Carillon". www.archives.govt.nz. Retrieved 25 February 2022.
- ^ Longstaff, William; Company, Gilbert Whitehead & (1 January 1935). "Longstaff, William 1879-1953 :Carillon. [ca 1935]". Longstaff, William 1879-1953 :Carillo... | Items | National Library of New Zealand | National Library of New Zealand. Retrieved 25 February 2022.
External links
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