Mimeo Revolution

Have you ever wondered about Mimeo Revolution? This is a topic that has captured the attention of many people over time, and for good reason. From its origins to its impact on today's society, Mimeo Revolution has been the subject of debate, analysis and exploration in a wide range of contexts. In this article, we will explore the fascinating history of Mimeo Revolution, examine its implications in the modern world, and consider its continued relevance in the future. No matter if you are an expert on Mimeo Revolution or simply looking to learn more about it, this article will provide you with a comprehensive and insightful look at this exciting topic.

The Mimeo Revolution (or Mimeograph Revolution) of the 1960s and 1970s was an active period of small-scale, non-commercial, literary publishing facilitated by the accessibility of the mimeograph. It is distinguished from the traditional private press by its emphasis on quick, cheap production.

Presses associated with the Mimeo Revolution often published experimental and underground work, and were important venues for poets, writers and artists ignored by mainstream magazines. Their emphasis was often (but not always) on poetry, including work by the Black Mountain poets, the poets of the Beat Generation, the New York School, and the San Francisco Renaissance, as well as such experimental genres as Concrete Poetry. Unlike mainstream literary magazines, they were usually published by the poets and communities of poets whose work appeared in them.

Significant Mimeo Revolution magazines and presses include 7 Flowers Press, Angel Hair, Beatitude, Big Table, “C” Press, Duende, Floating Bear, Fuck You, L=A=N=G=U=A=G=E, Little Caesar, Ole', Toothpaste, White Rabbit Press, Wormwood Review and Yugen.

See also

External links

Wikious
Boobota
Sagapedia