In this article we will explore in detail Mingo Lewis and its impact on different aspects of society. From its influence on popular culture to its relevance in academia, Mingo Lewis has captured the attention of experts and fans alike. Throughout history, Mingo Lewis has played a crucial role in shaping people's values and beliefs, as well as how they relate to each other. Through in-depth analysis, we will examine how Mingo Lewis has evolved over time and how it continues to shape our perceptions and experiences today.
James Mingo Lewis | |
|---|---|
| Born | James Mingo Lewis December 8, 1953 New York City, U.S. |
| Genres | Jazz, Rock, Fusion, Electronic, Salsa |
| Occupations | Musician, songwriter |
| Instruments | Drums, Congas, percussion, keyboards Synthesizer |
| Labels | Columbia |
James "Mingo" Lewis (born 8 December 1953) is an American percussionist and drummer who played with Santana, Al Di Meola (he was a band member for Di Meola's first five albums), Return to Forever, and The Tubes.
Lewis plays congas, bongos, timbales, vibraslap, drums, bells, güiro, gong, Syndrum, bata, tambourine, cowbell and assorted percussion.[1]
Lewis is credited with composition of one song on four of the first five Di Meola albums: "The Wizard" on Land of the Midnight Sun, "Flight Over Rio" on Elegant Gypsy, and "Chasin' The Voodoo" on Casino (retitled from his composition Frankinsence on his 1976 album Flight Never Ending). For The Tubes album Now Lewis wrote "God-Bird-Change", which he reprised on Di Meola's Electric Rendezvous