This article will address the topic of Multidirection, which has become relevant in different areas and contexts. Since its emergence, Multidirection has aroused the interest and curiosity of a wide spectrum of the public, due to its impact and background. Over the years, Multidirection has generated debates, research and multiple perspectives that have contributed to enriching knowledge on this topic. Therefore, it is essential to thoroughly explore the different aspects related to Multidirection, as well as its implications and repercussions on current society. Through a detailed and critical analysis, the aim is to provide a complete and updated vision of Multidirection, with the aim of promoting informed and constructive reflection about this phenomenon.
| Multidirection | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | 1969 | |||
| Recorded | November 26, 1969 | |||
| Genre | Jazz | |||
| Length | 38:05 | |||
| Label | Blue Note | |||
| Producer | Francis Wolff | |||
| Kenny Cox chronology | ||||
| ||||
Multidirection is the second album by American jazz pianist Kenny Cox featuring performances recorded in 1969 and released on the Blue Note label.[1] The album was reissued as bonus tracks with Cox's first Blue Note album Introducing Kenny Cox.
The Allmusic review by Brandon Burke awarded the album 4 stars stating "Multidirection has as much in common with Blue Note's mildly avant-garde releases of the early '60s as it does the soul-based output typical of 1969. In this sense, one could compare it to Andrew Hill's Grass Roots or Jackie McLean's Jacknife, as soulful yet mildly dissonant hard bop is the order of the day here as well".[2]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic | |