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Music editor (filmmaking)

Today, Music editor (filmmaking) is a topic that generates great interest and debate in society. Its relevance has been increasing in recent years, covering various areas such as technology, culture, politics and science. Music editor (filmmaking) has managed to capture the attention of experts and fans, as well as citizens in general, becoming a fundamental part of the media and social agenda. In this article, we will explore in depth the different aspects and facets related to Music editor (filmmaking), with the aim of offering a comprehensive and updated vision on this topic of great importance today.

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The music editor is a type of sound editor in film or other multimedia productions (e.g. video or games) responsible for compiling, editing, and syncing music during the production of a soundtrack.

Among the music editor's roles is creating a "temp track", which is a "mock-up" of the film's soundtrack using pre-existing elements to use for editing, audience previews, and other purposes while the film's commissioned score is being composed.[1]

One of the few courses dedicated solely to Temp Music was offered at Chapman University's Dodge College

References

  1. ^ Ronald H. Sadoff (2006). "The role of the music editor and the 'temp track' as blueprint for the score, source music, and scource music of films". Popular Music. Cambridge University Press.