In today's world, Music from Mission: Impossible has become a recurring and very important topic of discussion in various areas. Its relevance has transcended borders and has captured the attention of experts, academics and common people alike. The influence of Music from Mission: Impossible is noticeable in society, the economy, politics and culture, generating a significant impact on the way people interact and function in their environment. This article seeks to analyze in depth the phenomenon of Music from Mission: Impossible, exploring its multiple dimensions and offering a comprehensive perspective that allows us to understand its scope and its implications for the present and the future.
Music from Mission: Impossible is an album featuring music composed and conducted by Lalo Schifrin recorded in 1967 and released on the Dot label.[1] The music on this album is re-recorded and extended scores were originally commissioned for the TV series Mission: Impossible.
Reception
Schifrin was awarded two Grammys at the 10th Grammy Awards for his work on the first series (Best Instrumental Theme and Best Original Score for a Motion Picture or TV Show).[2]
The album peaked at 47 on the Billboard Albums Chart and 11 on the magazine's jazz chart in 1968.[3]
The Allmusic review states: "Any fan of the show should try and find this album at a used music shop, but more specifically fans of Lalo Schifrin (and that could be quite a few, as he remained uncredited on some of his TV themes) should definitely check the album out. It's a good buy if you can find it".[4]
Anatol Kaminsky, Paul Shure, Bonnie Douglas, Sam Freed, Marvin Limonick, Alexander Murray, Irma Neumann, George Kast, Nathan Kaproff, Thelma Beach, James Getzoff, George Berres, Ambrose Russo, Joe Stepansky, Irma Neumann - violin
Allan Harshman, Myra Kestenbaum, Milton Thomas, Myer Bello - viola