In today's world, Music of Easter Island is a topic that generates a lot of interest and debate. From its origins to the present, Music of Easter Island has been the object of study and reflection by experts in different areas. Its impact on society, the economy, culture, and even politics, has been significant over time. In this article, we will explore different aspects related to Music of Easter Island, analyzing its relevance in the current context and its possible influence in the future. In addition, we will examine the various perspectives and opinions that exist around Music of Easter Island, with the aim of offering a broad and complete vision on this topic.
The Rapa Nui used an ancient stone aerophone called the Pu o Hiro (Trumpet of Hiro) for fertility rituals and to call the Polynesian god of rain Hiro. By blowing through the main hole it emits a deep Trumpet sound. During droughts, the Ariki Paka (nobles) would dress in ceremonial clothing and pray for rainfall. They chanted the following song:
E te uá, matavai-roa a Hiro-é
(The rain, the great tears of Hiro)
ka hoa mai koe kiraro
(Send us down)
ka rei mai koe kiraro
(Pour down)
e te u´a matavai-roa a Hiro-é
(The rain, the great tears of Hiro)
The first music school on the Easter Island was opened in 2012 by Mahani Teave, and teaches piano, cello, ukulele, and violin.