This article analyzes My Fair Lady (Broadway cast recording) from different perspectives, in order to understand its importance and relevance today. From its impact on society to its influence on culture, My Fair Lady (Broadway cast recording) has become a topic of great interest to people of all ages and sectors. Along these lines, its origins, its evolution over time and the various opinions and theories that revolve around it will be explored. Likewise, its implications and consequences in different areas will be examined, with the aim of providing a comprehensive and complete vision of My Fair Lady (Broadway cast recording).
My Fair Lady | |
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Cast recording by the original Broadway cast | |
Released | April 2, 1956 |
Recorded | March 24, 1956 |
Studio | Columbia 30th Street, New York City |
Genre | Show tunes |
Length | 53:44 |
Label | Columbia Records |
Review scores | |
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Source | Rating |
Allmusic |
The Broadway cast recording of the musical My Fair Lady was first released April 2, 1956 by Columbia Records, with songs by Lerner and Loewe, conducted by Franz Allers, starring Rex Harrison and Julie Andrews. Columbia president Goddard Lieberson provided the $375,000 needed to stage the show in return for the rights to the cast recording.
A commercial success, the album became the first LP record to sell 1 million copies. The album topped US Billboard 200 charts for fifteen weeks at different times in 1956 (eight consecutive weeks), 1957, 1958, and 1959.
After the musical transferred to London in April 1958, the album spent 19 consecutive weeks atop the UK charts, the biggest-selling album of the year. The musical's renewed success sent Andrews, Harrison, and the London cast to the recording studio in 1959 to capture the score in stereo: the London cast recording shares all the same principals as the Broadway cast.
Columbia first released the Broadway album on compact disc in 1988, followed by numerous subsequent reissues. As of 2023, the original cast recording remains among the longest-charting albums in the U.S., with 480 weeks on the Billboard 200.
No. | Title | Performed by | Length |
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1. | "Overture" / "Why Can't the English?" | Rex Harrison, Robert Coote and Julie Andrews | 3:09 |
2. | "Wouldn't It Be Loverly?" | Julie Andrews and Ensemble | 3:55 |
3. | "With a Little Bit of Luck" | Stanley Holloway, Gordon Dilworth, Rod McLennan and Chorus | 3:55 |
4. | "I'm an Ordinary Man" | Rex Harrison | 4:38 |
5. | "Just You Wait" | Julie Andrews | 2:41 |
6. | "The Rain in Spain" | Rex Harrison, Julie Andrews, Robert Coote and Ensemble | 2:39 |
7. | "I Could Have Danced All Night" | Julie Andrews, Philippa Bevans and Ensemble | 3:28 |
No. | Title | Performed by | Length |
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1. | "Ascot Gavotte" | Chorus | 3:13 |
2. | "On the Street Where You Live" | John Michael King | 2:56 |
3. | "You Did It" | Rex Harrison, Robert Coote, Philippa Bevans and Ensemble | 4:25 |
4. | "Show Me" | Julie Andrews and John Michael King | 2:10 |
5. | "Get Me to the Church on Time" | Stanley Holloway, Gordon Dilworth, Rod McLennan and Chorus | 2:42 |
6. | "A Hymn to Him" | Rex Harrison | 3:28 |
7. | "Without You" | Julie Andrews | 2:01 |
8. | "I've Grown Accustomed to Her Face" | Rex Harrison | 5:14 |
Chart | Year | Peak position |
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Billboard 200 | 1956 | 1 |
UK Albums Chart | 1958 | 1 |