NSCAD conceptual art
Nowadays, the importance of NSCAD conceptual art is undeniable in our daily lives. Whether due to its historical relevance, its impact on society or its influence on different aspects of our lives, NSCAD conceptual art has captured the attention and interest of many people around the world. In this article, we will fully explore everything that NSCAD conceptual art represents, its evolution over time, and its relevance today. Through a detailed analysis, we will examine the different aspects that make NSCAD conceptual art a topic of great importance and interest to a wide audience. Join us on this journey through the history, meaning and relevance of NSCAD conceptual art, and let's discover together why it is a topic that deserves our attention.
NSCAD conceptual art refers to a period beginning in 1969 when Nova Scotia College of Art and Design (NSCAD), a post-secondary art school in Halifax, Nova Scotia, Canada became an important art centre with an international reputation.[1]
History
In 1967, the artist Garry Kennedy was appointed President, and he immediately moved to remake the College from a provincial art school into an international centre for artistic activity. He invited notable artists to come to NSCAD as visiting artists, particularly those involved in conceptual art. Artists who made significant contributions during this period include Vito Acconci, Sol LeWitt, Dan Graham, Eric Fischl, Lawrence Weiner, Joseph Beuys and Claes Oldenburg.
NSCAD University Press
Under the direction of Kennedy, The Press of the Nova Scotia College of Art and Design was established as a vehicle to publish books by and about leading contemporary artists. The Press was instrumental in establishing the university's international reputation.[2] Between 1972 and 1987, 26 titles by such artists as Michael Snow, Steve Reich, Gerhard Richter and Yvonne Rainer were published. From 1977-1987, Benjamin Buchloh served as editor of the Press.[3]
See also
References
- ^ Bruce Barber, "Conceptual Art: The NSCAD Connection 1967-1973", Conceptual Art: The NSCAD Connection 1967-1973, Halifax: Anna Leonowens Gallery, 1998, p. 11
- ^ Garry Neill Kennedy, "NSCAD and the Sixties", Conceptual Art: The NSCAD Connection 1967-1973, pp. 25-6
- ^ Barber, Bruce (2006). "Introduction". NSCAD: The 80's. Halifax, Nova Scotia, Canada: NSCAD University: Anna Leonowens Gallery: 9 – via Academia.edu.
Further reading
- Barber, Bruce, ed. Conceptual Art: the NSCAD Connection 1967-1973. Halifax: Anna Leonowens Gallery, 1998. ISBN 978-0-920149-14-0
- Lippard, Lucy R. Six Years: the Dematerialization of the Art Object from 1966 to 1972. Berkeley: University of California Press, 1997. ISBN 978-0-520-21013-4