In this article, we will explore a variety of aspects related to Natalia Dumitresco, from its origins to its current impact on society. We will analyze its evolution over time, as well as its relevance in the current context. In addition, we will examine the different perspectives and opinions that exist around Natalia Dumitresco, with the aim of offering a comprehensive vision that allows us to understand its true meaning. Through this in-depth analysis, we seek to give the reader a broader and more complete understanding of Natalia Dumitresco, addressing all the relevant aspects that encompass this topic.
Natalia Dumitresco | |
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Born | Natalia Dumitrescu 20 December 1915 Bucharest, Romania |
Died | 3 July 1997 Chars, France | (aged 81)
Nationality | French-Romanian |
Known for | Painting |
Movement | Abstract Art |
Spouse | Alexandre Istrati |
Natalia Dumitresco (born Natalia Dumitrescu; 20 December 1915 in Bucharest, Romania – 3 July 1997 in Chars, France) was a French-Romanian abstract painter associated with the Réalités Nouvelles salon of Paris after the Second World War, a movement influenced by the art of Wassily Kandinsky and Alberto Magnelli. Other abstract expressionist painters associated with the Réalités Nouvelles include Serge Poliakoff and Alexandre Istrati. Dumitresco later married Alexandre Istrati.
After a number of years working in black and white, she tackled the problem of colors, showing originality and a great freshness of colors in her compositions.
She and her husband are buried in the same grave with Constantin Brâncuși.