The topic of Nathaniel Hurd is one that has captured the attention of many people in recent years. Since its emergence, Nathaniel Hurd has generated a continuous debate in different sectors of society, whether in the academic, political, economic or cultural spheres. Opinions regarding Nathaniel Hurd vary greatly, and its impact has become evident in various spheres. In this article, we will explore various perspectives on Nathaniel Hurd and its influence today, as well as its historical relevance. Additionally, we will analyze the role that Nathaniel Hurd plays in people's daily lives and in society as a whole.
Nathaniel Hurd | |
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Born | |
Died | December 17, 1777 Boston, Province of Massachusetts Bay | (aged 47)
Occupation(s) | engraver and silversmith |
Nathaniel Hurd (13 February 1730 – 17 December 1777) is recognized as the first American engraver and a silversmith in Boston, Massachusetts, in the 18th century. He engraved "bookplates ... heraldic devices, seals, ... paper currency, and business cards" along with die engravers and engravers on copper.
Hurd's grandfather had come from England and settled in Charlestown. He died in 1749 at the age of 70.
Hurd's father was Jacob Hurd, a leading Boston silversmith, whose works are in the collections of the Peabody Essex Museum, Cleveland Museum of Art, Strawbery Banke Museum, and the Museum of Fine Arts, Boston. Jacob Hurd married a daughter of John Mason (of Kingston, Jamaica who died in 1758).
An obituary from Amos Doolittle noted Hurd was the first to have engraved copper in the USA.
The lion rampant logo for Phillips Exeter Academy is taken from a bookplate Hurd designed for John Phillips in 1775.
Hurd died on 17 Dec 1777 and is buried in the old Granary Burial Ground in Boston.
Examples of Hurd's work are in the collections of Harvard University; Yale University; Historic Deerfield; the Lexington Historical Society; and the Museum of Fine Arts, Boston.