Nino Pisano
In the following article, we will thoroughly explore the topic of Nino Pisano and analyze its impact on various aspects of society. From its origin to its evolution today, we will delve into its historical, cultural and social implications. Additionally, we will examine the different perspectives and opinions that exist around Nino Pisano and how these have influenced his perception in society. Without a doubt, Nino Pisano has been the subject of debate and controversy over time, so this analysis will seek to provide a comprehensive and objective view of its relevance today.
Nino Pisano (fl. 1349 – 1368) was an Italian sculptor, the son of Andrea Pisano.
He collaborated with his father in sculptures for the churches of San Zanipolo at Venice and in Santa Caterina at Pisa, and provided some panels for the bell tower of Santa Maria del Fiore. Nino succeeded his father in the works of the Orvieto Cathedral in 1349.
Works he made alone include a Madonna with Child in Santa Maria Novella, Florence, a Saint Bishop in the Cathedral of Oristano and a Monument to Bishop Scherlatti now in the Museum of Pisa Cathedral. His other attributed works include a Madonna of the Rose in Santa Maria della Spina, a Madonna with Child in Basilica of Maria S.S. Annunciata in Trapani and a Madonna del Latte in the Museum of St. Matthew, both in Pisa. An Annunciation, once in Santa Caterina, is now in the National Gallery of Art in Washington, D.C.
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