In today's world, On the Run (1988 film) has become a topic of general interest to many people. Whether due to its historical, political, scientific or cultural relevance, On the Run (1988 film) has captured the attention of a wide audience. In order to better understand its importance and implications, it is essential to delve into the detailed analysis of On the Run (1988 film). Throughout this article, we will explore the different aspects that make On the Run (1988 film) a topic of interest, as well as its impact on various areas of society. Through an exhaustive analysis, we will seek to shed light on the most relevant and controversial aspects of On the Run (1988 film), allowing the reader to deepen their understanding and reflection on this topic.
On the Run | |
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Traditional Chinese | 亡命鴛鴦 |
Simplified Chinese | 亡命鸳鸯 |
Hanyu Pinyin | Wáng Mìng Yuān Yāng |
Jyutping | Mong4 Ming6 Jin1 Jeong1 |
Directed by | Alfred Cheung |
Written by | Alfred Cheung Keith Wong |
Produced by | Sammo Hung |
Starring | Yuen Biao Pat Ha Charlie Chin |
Cinematography | Peter Ngor |
Edited by | Yu Shun |
Music by | Violet Lam |
Production companies | |
Distributed by | Golden Harvest |
Release date |
|
Running time | 88 minutes |
Country | Hong Kong |
Language | Cantonese |
Box office | HK$6,912,828 |
On the Run (Chinese: 亡命鴛鴦) is a 1988 Hong Kong action thriller film directed by Alfred Cheung. The film stars Yuen Biao, Pat Ha and Charlie Chin.
Chui Pai (Pat Ha) is a dangerous killer who shot a woman during the night and lives with her daughter. She has been hunted for many years and cannot stop hiding. Heung Ming (Yuen Biao) is a police officer has been doing his job poorly. His wife was killed in a restaurant and the police accuse him of his wife's murder. Things become even more complicated for Heung as he discovers that she and he are now targeted by detectives led by Superintendent Lui (Charlie Chin), seeking to cover evidence of their own drug crimes. Framed for murder, Heung rapidly runs out of options as the killers target his elderly mother and young daughter. Wounded, Heung is forced to rely on the assassin Pai, who slowly warms up to him while caring for him and his young daughter. They have to stick together as long as they can until they die or are taken under custody.