This article will address the topic of Online Film Critics Society Award for Best Foreign Language Film, which has generated great interest and debate in recent years. Online Film Critics Society Award for Best Foreign Language Film is a topic that has captured the attention of people of various ages, genders and cultures, due to its relevance today. Throughout this article, different aspects related to Online Film Critics Society Award for Best Foreign Language Film will be explored, from its origin and evolution, to its impact on society and people's lives. Different points of view, recent research and relevant testimonies will be analyzed to provide a comprehensive view of Online Film Critics Society Award for Best Foreign Language Film and its importance today.
The Online Film Critics Society Award for Best Foreign Language Film (Best Film Not in the English Language) is an annual film award given by the Online Film Critics Society to honor the best foreign language film of the year.
Year | English title | Original title | Country | Director |
---|---|---|---|---|
1997 | Shall We Dance? | Shall We Dansu? | Japan | Masayuki Suo |
1998 | Life Is Beautiful | La vita è bella | Italy | Roberto Benigni |
1999 | Run Lola Run | Lola rennt | Germany | Tom Tykwer |
Year | English title | Original title | Country | Director |
---|---|---|---|---|
2000 | Crouching Tiger, Hidden Dragon | Wo hu cang long | China | Ang Lee |
2001 | Amélie | Le fabuleux destin d'Amélie Poulain | France/Germany | Jean-Pierre Jeunet |
2002 | And Your Mother Too | Y Tu Mamá También | Mexico | Alfonso Cuarón |
2003 | City of God | Cidade de Deus | Brazil | Fernando Meirelles |
2004 | Hero | Ying xiong | China/Hong Kong | Zhang Yimou |
2005 | Downfall | Der Untergang | Germany | Oliver Hirschbiegel |
2006 | Pan's Labyrinth | El laberinto del fauno | Mexico | Guillermo del Toro |
2007 | The Diving Bell and the Butterfly | Le scaphandre et le papillon | France/USA | Julian Schnabel |
2008 | Let the Right One In | Låt den rätte komma in | Sweden | Tomas Alfredson |
2009 | The White Ribbon | Das weiße Band, Eine deutsche Kindergeschichte | Germany | Michael Haneke |
Year | English title | Original title | Country | Director |
---|---|---|---|---|
2010 | Mother | Madeo | South Korea | Bong Joon-ho |
2011 | A Separation | Jodái-e Náder az Simin | Iran | Asghar Farhadi |
2012 | Holy Motors | France/Germany | Leos Carax | |
2013 | Blue Is the Warmest Colour | La vie d'Adèle | France | Abdellatif Kechiche |
2014 | Two Days, One Night | Deux jours, une nuit | Belgium | Luc Dardenne and Jean-Pierre Dardenne |
2015 | The Assassin | Nie yin niang | Taiwan | Hou Hsiao-hsien |
2016 | The Handmaiden | Agassi | South Korea | Park Chan-wook |
2017 | BPM (Beats per Minute) | 120 battements par minute | France | Robin Campillo |
2018 | Roma | Mexico | Alfonso Cuarón | |
2019 | Parasite | Gisaengchung | South Korea | Bong Joon-ho |
Year | English title | Original title | Country | Director |
---|---|---|---|---|
2020 | Minari | - | United States | Lee Isaac Chung |
2021 | Drive My Car | ドライブ・マイ・カー (Doraibu Mai Kā) | Japan | Ryusuke Hamaguchi |
2022 | Decision to Leave | 헤어질 결심 (Heeojil gyeolsim) | South Korea | Park Chan-wook |
2023 | Anatomy of a Fall | Anatomie d'une chute | France | Justine Triet |