In today's world, Oriel Gallery has become a topic of great relevance and interest to a large number of people. Whether we are talking about Oriel Gallery on a personal, professional, scientific or cultural level, its impact and presence are undeniable. The importance of Oriel Gallery has been the subject of debate and analysis in various sectors, and its influence extends through time and space. In this article, we will explore different aspects related to Oriel Gallery, from its origin to its evolution and its impact on today's society. Likewise, we will examine different perspectives and points of view on Oriel Gallery, with the aim of delving into its meaning and relevance in the contemporary world.
Gailearaí Airgialla | |
Established | 1968 |
---|---|
Location | 17 Clare Street, Dublin, Ireland |
Coordinates | 53°20′28″N 6°15′04″W / 53.341231°N 6.251249°W |
Type | Contemporary art gallery |
Founder | Oliver Nulty |
Public transit access | Dublin Pearse Dawson Street (Green Line) |
Website | theoriel |
The Oriel Gallery /ˈoʊriːəl/ is a commercial art gallery in Dublin, Ireland, devoted to work by Irish artists. It is Ireland's oldest independent gallery.
Established in Dublin by Oliver Nulty in 1968, the title refers to the medieval Kingdom of Oriel (Airgíalla), which contained Nulty's hometown of Drogheda. Oriel can also refer to a type of window, or the Welsh word for "gallery." Oliver Nulty (d. 2005) commenced his life as an antiques dealer who, in the course of that work noticed Irish visual art was neglected. He collected for years before opening his gallery and famously said the cultural revival in Ireland was "a tale of two cities" whereas Dublin concentrated on literature, art was confined to Belfast. He also claimed that visual art in Ireland in the 40s, 50s and 60s was "the Cinderella of Irish culture." Nulty, who spotted a niche put fine pieces of Irish art through his gallery in his heyday, including all the heavyweights such as Yeats and Paul Henry. He produced many fine quality catalogues and had a special affection for everything to do with Percy French. Nulty created a market for French and some of the Percy French's he sold were snapped up by Irish-Americans. Nulty was the first mounting an Irish Women's avant-garde exhibition featuring Mainie Jellet, Evie Hone and others which was opened by President Mary Robinson. When Nulty established the Oriel there was no Irish art section in the National Gallery of Ireland.