In today's article we are going to talk about Paris in Spring, a topic that has caught the attention of many people in recent times. Paris in Spring has become a topic of interest for society due to its relevance and impact in different areas of daily life. Throughout the article, we will analyze different aspects related to Paris in Spring, from its origin to its evolution over time, including its implications in today's society. In addition, we will explore different perspectives and opinions on Paris in Spring, with the aim of providing a broad and complete overview of this very relevant topic. Don't miss this interesting article about Paris in Spring!
Paris in Spring | |
---|---|
Directed by | Lewis Milestone |
Screenplay by | Samuel Hoffenstein Franz Schulz adaptation by Keene Thompson |
Based on | Paris in Spring (play) by Dwight Taylor |
Produced by | Benjamin Glazer |
Starring | Mary Ellis Tullio Carminati Ida Lupino Lynne Overman Jessie Ralph Dorothea Wolbert |
Cinematography | Ted Tetzlaff |
Edited by | Eda Warren |
Music by | Harry Revel Mack Gordon |
Production company | |
Release date |
|
Running time | 82 minutes |
Country | United States |
Language | English |
Paris in Spring (also released as Paris Love Song) is a 1935 black and white musical comedy film directed by Lewis Milestone for Paramount Pictures. It is based on a play by Dwight Taylor, with a screen play by Samuel Hoffenstein and Franz Schulz.
Afraid of marriage, Simone (Mary Ellis) ends her long term engagement with her fiancé Paul de Lille (Tullio Carminati). Paul heads to the top of The Eiffel Tower with thoughts of suicide. In another part of Paris, and also afraid of marriage, Mignon (Ida Lupino) decides to separate from her young lover (James Blakely). Despairing, Mignon also climbs to the top of The Eiffel Tower intending to leap to her death. There she meets Paul and the two compare stories. After discussion, Paul dissuades her from leaping and the two conspire to make their respective partners jealous by pretending to have an affair with each other.
The film was first released in US theaters on 28 May 1935. The New York Times reviewer wrote that while Mary Ellis offered a degree of entertainment with her singing, Tullio Carminati did not help the film by treating the film in a burlesque style. The newspaper was of the opinion Ida Lupino and James Blakeley were moderately good in their roles, but any merited praise for acting was to the credit of Lynne Overman, Jessie Ralph, and to the actor in the lesser role of the Chez Simone manager.
Reviewer Graham Greene praised Milestone's emulation of Ernst Lubitsch in his ability to create a film that was a "silly, charming tale", and make something "light, enchanting, and genuinely fantastic" out of a nonsense plot device. Lupino's role in Paris in Spring has been described as "dull", a view she shared.