In today's world, Parrot Records is a topic that generates great interest and debate in society. Since time immemorial, Parrot Records has been a source of fascination and study for different disciplines and sectors. Whether due to its implications in daily life, its impact on technological development or its influence on culture and the arts, Parrot Records has left a deep mark on the history of humanity. In this article, we will explore different aspects related to Parrot Records, from its origins to its relevance in today's world, with the aim of offering a broad and enriching vision of this transcendental topic.
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Parrot Records was an American record label, a division of London Records, which started in 1964. The label usually licensed (or leased) recordings made by Decca Records, England, for release in the United States and Canada, most notably by the Zombies, Tom Jones, Engelbert Humperdinck, Them, Jonathan King, Hedgehoppers Anonymous, Lulu, Savoy Brown and Alan Price. Other artists included the Detroit-based Frijid Pink, Love Sculpture (reissued from EMI) and Bobby "Boris" Pickett (reissued from Garpax). Parrot's biggest hit was "She's A Lady" by Tom Jones, peaking at #2 on the Billboard charts in early 1971.
The label lasted until 1979.[1] After Parrot became defunct, its artists were moved to the London label. The Parrot catalogue is currently managed by Polydor, a unit of Universal Music Group in the U.S.
The latest UK website for Parrot Records. https://parrotrecords.co.uk/