Perizoma (loincloth)

Perizoma (loincloth) is a topic that has captured the attention of millions of people over the years. Its impact on society has been significant and has generated constant debate in different areas. Since its inception, Perizoma (loincloth) has aroused the interest of researchers, academics, enthusiasts and the general public, who have sought to understand its implications and influence on various aspects of daily life. In this article we will explore different perspectives on Perizoma (loincloth) and analyze its evolution over time, as well as its relevance in a contemporary context.

Christ Crucified by Diego Velázquez shows Jesus wearing a perizoma

Perizoma (from Greek περίζωμα, from peri "around, about" and zoma "loin-cloth, drawers, band, belt") is a type of loincloth that originated with the Minoan civilization in Crete. Surviving depictions show it being worn by male and female acrobats (for example, in the Bull-Leaping Fresco).

A perizoma was possibly worn by Jesus during his crucifixion. It is a standard feature of the crucifixion in the arts. However, Roman custom was to crucify victims naked, and there is no evidence to suggest that Jesus was an exception. Perizoma was likely added by later artists to preserve modesty (see fig leaf) and first appeared in the 8th century. Aachen Cathedral claims to have the actual relic of the perizoma, preserved inside the Marienschrein reliquary.

See also

References

  1. ^ Bonfante, Larissa (2003). Etruscan Dress. JHU Press. pp. 19–20. ISBN 9780801874130.
  2. ^ Condra, Jill (2008). The Greenwood Encyclopedia of Clothing Through World History: Prehistory to 1500CE. Westport, Connecticut: Greenwood Publishing Group. p. 79. ISBN 978-0-313-33662-1. OCLC 156808055.
  3. ^ Tombs, David (2009). "Prisoner Abuse: From Abu Ghraib to the Passion of the Christ". In Hogan, Linda; Lehrke, Dylan (eds.). Religion and the Politics of Peace and Conflict. Princeton Theological Monograph Series. Wipf and Stock Publishers. pp. 182–83. ISBN 9781556350672.
  4. ^ Viladesau, Richard (2006). The Beauty of the Cross: The Passion of Christ in Theology and the Arts from the Catacombs to the Eve of the Renaissance. Oxford University Press. p. 188. ISBN 9780195188110.
  5. ^ Nickell, Joe (2007). Relics of the Christ. University Press of Kentucky. p. 106. ISBN 9780813172125.
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