Post-painterly abstraction
Today, Post-painterly abstraction is a topic of great relevance and interest to a large sector of the population. This issue has captured the attention of experts, scholars and professionals from different fields, who have dedicated their time and effort to analyzing it from various approaches. Furthermore, Post-painterly abstraction has generated a debate in society, giving rise to conflicting opinions and divergent positions. Given this situation, it is relevant to deepen our knowledge of Post-painterly abstraction and explore its implications in different contexts. For this purpose, this article will address Post-painterly abstraction in a detailed and critical manner, in order to offer a comprehensive vision of this current topic.
Post-painterly abstraction is a term created by art critic Clement Greenberg as the title for an exhibit he curated for the Los Angeles County Museum of Art in 1964, which subsequently travelled to the Walker Art Center and the Art Gallery of Toronto.
Greenberg had perceived that there was a new movement in painting that derived from the abstract expressionism of the 1940s and 1950s but "favored openness or clarity" as opposed to the dense painterly surfaces of that painting style. The 31 artists in the exhibition included Walter Darby Bannard, Jack Bush, Gene Davis, Thomas Downing, Friedel Dzubas, Paul Feeley, John Ferren, Sam Francis, Helen Frankenthaler, Sam Gilliam, Al Held, Ellsworth Kelly, Nicholas Krushenick, Alexander Liberman, Morris Louis, Arthur Fortescue McKay, Howard Mehring, Kenneth Noland, Jules Olitski, Ray Parker, David Simpson, Albert Stadler, Frank Stella, Mason Wells, Ward Jackson, Emerson Woelffer, and a number of other American and Canadian artists who were becoming well-known in the 1960s.
Among the prior generation of contemporary artists, Barnett Newman has been singled out as one who anticipated "some of the characteristics of post-painterly abstraction."
As painting continued to move in different directions, initially away from abstract expressionism, the term "post-painterly abstraction", was used for works alongside minimalism, hard-edge painting, lyrical abstraction, and color field painting.
See also
- Clement Greenberg
- Abstract expressionism
- Color field painting
- Lyrical abstraction
- Shaped canvas
- Washington Color School
References
- ^ "Post-painterly abstraction". The Guggenheim Museums and Foundation. Archived from the original on Dec 24, 2019.
- ^ "Post Painterly Abstraction Catalog". Archived from the original on May 26, 2011. Retrieved August 17, 2010.
- ^ Edward Lucie-Smith, Lives of the Great Twentieth Century Artists, New York, Rizzoli, 1986; p. 257.
- ^ "exhibitions > current > Colorscope: Abstract Painting 1960-1979". SBMA. Archived from the original on 2015-09-24. Retrieved 2010-08-17.
External links
 | This art movement–related article is a stub. You can help Wikipedia by expanding it. |