In this article, we will explore the theme of Question 7 from a unique and novel perspective. Question 7 is a topic that has captured the attention of many in recent years, and through this writing, we propose to analyze it in depth. From its origins to its impact on today's society, through its possible implications in the future, we will immerse ourselves in an exhaustive analysis that seeks to shed light on all the relevant aspects of Question 7. To do this, we will have the collaboration of experts in the field, as well as testimonies from people who have closely experienced the influence of Question 7 in their lives. We are sure that this article will provide a complete and enriching vision of a topic that continues to generate debate and fascination today.
Question 7 | |
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Directed by | Stuart Rosenberg |
Written by | Allan Sloane |
Produced by | Lothar Wolff |
Starring | Michael Gwynn Margaret Jahnen |
Cinematography | Günther Senftleben |
Edited by | Georges Klotz |
Music by | Hans-Martin Majewski |
Distributed by | Louis De Rochemont Associates (USA) UFA Film Hansa |
Release dates |
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Running time | 106 minutes |
Countries | United States West Germany |
Language | English |
Question 7 is a 1961 American-West German film directed by Stuart Rosenberg and starring Michael Gwynn, Margaret Jahnen and Christian de Bresson. It won the National Board of Review Award for Best Film. It was also entered into the 11th Berlin International Film Festival.
In post-war East Germany, Peter Gottfried is the son of minister Friedrich Gottfried. The Communist regime has decreed that all children of "dissidents" will be denied entry to a prestigious music conservatory. Peter is anxious to be accepted, and in order to get in he prepares to answer the seven questions required by the conservatory, the seventh of which will require him to deny his religious convictions. Before this can happen, he is invited by the Socialist Unity Party to perform at the Berlin Youth Festival. Friedrich protests, knowing that the Communists intend to use his son as a political pawn, to "prove" to the world that East Germany affords equal rights to clergymen. In the end, it is Peter himself who decides to quit the Festival and defect to the West.