Today, Rickie Solinger is a highly relevant topic that captures the attention of people of all ages and backgrounds. Its impact on society and daily life is undeniable, and it generates endless opinions, debates and discussions. It is a topic that arouses curiosity and fascination, but also entails challenges and controversies. In this article, we will explore in detail the different facets of Rickie Solinger, analyzing its influence in various areas, its evolution over time, and the role it plays in people's lives today.
Rickie Solinger (born 1947) is an independent historian, curator, and lecturer whose work focuses on reproductive politics, welfare politics, politics of incarceration, race and class, and motherhood. She is the author of Wake Up Little Susie: Single Pregnancy and Race before Roe v. Wade, The Abortionist: A Woman Against the Law, Beggars and Choosers: How the Politics of Choice Shapes Adoption, Abortion, and Welfare in the U.S., Pregnancy and Power: A Short History of Reproductive Politics in America, Reproductive Politics: What Everyone Needs to Know, and, with co-author Loretta Ross, "Reproductive Justice: An Introduction," as well as articles about reproductive politics and welfare politics. Solinger curates art exhibitions associated with the themes of her books; the shows travel to college and university galleries around the country aiming to interrupt the curriculum.
She earned her Ph.D. in History from The Graduate Center of the City University of New York.
She is a founding member of Women United for Justice, Community, and Family, a Boulder, Colorado-based cross-class coalition of women committed to welfare justice. She has served on the Boulder County Welfare Review Committee and frequently speaks and writes in the community and elsewhere on matters of poverty, welfare, and economic justice.
Title | Year |
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"The Girl Nobody Loved: Psychological Explanations for White Single Pregnancy in the Pre-Roe v. Wade Era, 1945-1965", Frontiers: A Journal of Women Studies | 1990 |
"'Race and ‘Value’: Black and White Illegitimate Babies in the U. S., 1945-1965", Gender and History | 1992 |
"'A Complete Disaster’: Abortion and the Politics of Hospital Abortion Boards, 1950-1970", Feminist Studies | 1993 |
"Poor and Pregnant in the United States: 1950s, 1970s, 1990s", Social Justice | 1994 |
“Dependency and Choice: The Two Faces of Eve”, Social Justice | 1998 |
"Poisonous Choice", Bad Mothers | 1998 |
"...But No Faith in the People.", Social Justice | 2001 |
"The First Welfare Case: Money, Sex, Marriage, and White Supremacy in Selma, 1966, A Reproductive Justice Analysis", Journal of Women's History | 2010 |
"Layering the Lenses: Toward Understanding Reproductive Politics in the United States", Journal of Women's History | 2013 |
Title | Year |
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Abortion Wars: Fifty Years of Struggle, 1950-2000 | 2000 |
Welfare: A Documentary History Of U.S. Policy And Politics | 2003 |
Telling Stories to Change the World: Global Voices on the Power of Narrative to Build Community and Make Social Justice Claims | 2008 |
Interrupted Life: Experiences of Incarcerated Women in the United States | 2010 |
Solinger creates art exhibitions associated with the theme of her books and installs them at college and university galleries. She uses art together with her scholarship to enrich opportunities for public education and interrupt the curriculum. She has produced art installations working with sculptors, photographers, and other activists since 1992. Her exhibitions have traveled to over 140 college and university galleries since 1992.
In 1992 she won the first Lerner-Scott Award given by the Organization of American Historians for Wake Up Little Susie and in 2000 she received the Catherine Prelinger Award.