In this article we will address the topic of Rubenstein's Revenge from different perspectives, in order to analyze and understand its relevance today. Rubenstein's Revenge is a topic that has aroused great interest in various areas, and its impact ranges from the personal to the social sphere. Along these lines, we will explore the various aspects related to Rubenstein's Revenge, providing detailed information and in-depth analyzes that will allow our readers to obtain a comprehensive vision of this topic. Furthermore, we will examine the impact of Rubenstein's Revenge in different historical and geographical contexts, with the aim of understanding its evolution over time. By presenting data, testimonials and expert opinions, we aim to provide our readers with a complete and enriching insight into Rubenstein's Revenge.
Minimum prop #: 3 | |
Difficulty: 6/10 >3.5 (note: difficulty ratings are arbitrary and subject to change) | |
Siteswap: 52233 | |
Period: 5 | |
Parity: odd | |
Notes: symmetrical, asynchronous |
In toss juggling, Rubenstein's Revenge is a 3-ball juggling pattern named by George Gillson after its inventor, Rick Rubenstein. Along with Mills' Mess and Burke's Barrage, it is one of three well-known named juggling patterns that involve complex carries and crossed arm throws. Rubenstein's Revenge is usually considered the most involved and difficult of the three.
Rubenstein's Revenge is a shape distortion of the three-ball Siteswap 52233. A shape distortion means that the throws are done from non-standard positions, in this case, using crossed arm movements. The varying heights can be represented in Siteswap notation by the numbers 52233. In this notation, each of the numbers represents one particular throw in a sequence of five throws.
This is one round of Rubenstein's Revenge.
In addition to the varying ball heights, Rubenstein's Revenge incorporates elements of chops, claws and orbits. While the ball thrown as a 5 is in midair, the two other balls are carried in circular orbits around each other. These balls are then thrown and caught with the palm of the hand turned at an odd angle as in claws. One of these balls is caught with a downward diagonal movement as in chops.
The overall pattern results in a fluid and natural spiraling motion of the hands and balls. The trick is difficult to understand, especially from a written description.